Posts Tagged ‘Red wine’
Noble Nebbiolo
Langhe Nebbiolo 2014, Produttori del Barbaresco ($25.20, 11383617)
Rain and frequently cool temperatures made 2014 a difficult vintage in much of Europe, including Piedmont. Fortunately, the Barbaresco region was drier than nearby areas (receiving only half the rainfall of the Barolo appellation) and enjoyed good ripening conditions in the late summer and early fall. This 100% Nebbiolo is made from young vines, all of which are located within the Barbaresco DOC. Fermented with selected “Barolo” yeasts at 28ºC in stainless steel tanks. Macerated on the skins for 24 days. Matured six months in very large oak barrels. No fining, light filtering, minimal sulphur dioxide. 13.5% ABV. Quebec agent: oenopole.
Young but already beautiful nose: cherry fruit and wood, hints of sweet spice, tar, rose and forest floor. More voluptuous than the 2013 though still medium-bodied. The sweet, ripe fruit is tinged with dark, tarry flavours while wiry tannins and trenchant acidity provide a structure finer and more serious than in most $25 wines. Bitter chocolate and burnt licorice thread through the long, astringent (but not too) finish. Always good, this food-friendly wine excels in 2014 and is worth buying in quantity, as it will only improve with a couple of years’ aging. (Buy again? Automatically.)
Previously on Brett happens:
– Transformer (the 2013 + recipe)
– Baby Barbaresco (the 2012)
– Striking gold at Orange Rouge (the 2012)
– Charcuteries + uve italiane (the 2011)
– We interrupt our regularly scheduled programming (the 2011)
– Tasting with Aldo Vacca
– Nebbiolo and quail (the 2010 + recipe)
– The Schwartza as miracle fruit (the 2009)
Three Triguedinas
Cahors 2010, Clos Triguedina ($28.40, 00746412)
A blend of Malbec (80%), Merlot (15%) and Tannat (5%) from 30-year-old vines. The grapes are manually harvested and sorted. Maceration and fermentation with pump-overs last 15 to 18 days. Matured 18 months in Allier oak casks (one-third new). Reducing sugar: 2.4 g/l. 14% ABV. Quebec agent: Sélections Fréchette.
Wafting nose of plum, blackberry, spice, cedar, turned earth, leafmould and, eventually, a floral note. In the mouth, it’s on the lighter side of full-bodied. The ripe fruit is structured by fine, silky tannins and bright acidity, overtoned with spice and a hint of game. Finishes long and savoury. Earthy yet refined, modern though not to a fault, above all delicious. (Buy again? Yes.)
Cahors 2009, Probus, Clos Triguedina ($38.75, 12450287)
100% Malbec from vines more than 50 years old (the estate’s oldest parcels). The various lots are vinified separately. The grapes are hand picked and sorted, then destemmed. Maceration and fermentation at 30-32°C last 20 to 25 days. Matured more than 18 months in new Allier oak casks. All the lots are tasted and only the best are blended to make the wine. Reducing sugar: 3.1 g/l. 13.5% ABV. Quebec agent: Sélections Fréchette.
Gorgeous, inexhaustible nose with all of the above and more, including an integrating dose of faintly smoky oak. Full-bodied and intensely flavoured yet fresh and beautifully balanced. Layered, structured, long and complete. Accessible now if still young and tight, this will improve with another five to ten years in the cellar. Probus is always a good wine but this 2009 is exceptional. If it were a Médoc, it would cost upwards of $100. (Buy again? Done!)
Cahors 2009, The New Black Wine, Clos Triguedina ($69.00, 10706293)
To explain the origin of this bottling’s name, I can do no better than quote the Cahors entry in Hugh Johnson’s Wine Companion: “The ancient town [of Cahors] on the River Lot […] is linked in the public mind with dramatic-sounding ‘black wine’. This was because so much of the wine made in Bordeaux was thin and travelled badly, and the merchants needed something to give strength and body to their exports. Their position at the commanding mouth of the Garonne enabled them to call the tune at Cahors, whose growers they encouraged to produce a thick, dark brew by boiling some of their wine, even fortifying it. This was the famous ‘black wine’, so celebrated, at least in myth, that Crimean winemakers produced a ‘Cahorski’ in tribute.” First produced in the mid-1990s, The New Black Wine is owner-winemaker Jean-Luc Baldès’ homage to the long-lost tradition. 100% Malbec from old vines. The grapes are hand picked and sorted, then laid on trays and gently heated overnight in a prune oven, slightly desiccating the fruit and concentrating the flavours. The wine is macerated and fermented in tanks and matured 18 months in new Allier oak casks. Reducing sugar: 2.4 g/l. 14% ABV. Quebec agent: Sélections Fréchette.
While the other two wines are a deep magenta in colour, this is indeed much darker, purpler and opaque, though not black. Brooding nose of plum, prune, clean raw beef and a hint of virtual acidity. On the palate, it’s dense, rich and tightly wound, finely but intensely tanninc, possessed of fluent acidity and a velvety texture. The fruit is dark and dense but, somewhat to my surprise, not at all cooked or jammy. At this early point in its long life, it’s a bit monolithic though obviously deep, broad and long. Gets better and better as it breathes, indicating it will benefit greatly from extended cellaring (the winemaker recommends 20 to 30 years). (Buy again? Maybe, but I think I’d rather have two bottles of the splendid Probus instead.)
MWG November 12th tasting: flght 5 of 6
Three lighter reds
Württemburg 2014, Trollinger, Without All, Weingut Knauss ($28.00, private import, NLA)
100% Trollinger from organically farmed though uncertified vines. Fermented with indigenous yeasts. No added anything, whence the “without all.” Unfiltered and unfined. 9.5% ABV. Screwcapped. Quebec agent: Ward & associés.
A bit spritzy and reduced at first, then sour berries, slate and developing clay and animale notes. Light and fluid on the palate. Airframe tannins and bright acidity provide some structure and faint minerals some depth but this is mainly about the pure fruit. Lip-smacking, sweet and sour finish. Light-bodied almost to the point of lacking substance and yet refreshing and ultra-drinkable, this ethereal wine was a hit with several around the table, despite its high price. (Buy again? Gladly.)
Côtes du Forez 2014, La Volcanique, Cave Verdier-Logel ($21.80, private import, 12 bottles/case)
Based in Marcilly-le-Châtel, the certified organic 17-hectare estate grows Gamay and a little Pinot Gris and Viognier. This cuvée is 100% Gamay from old vines rooted in basalt soil. Manually harvested. Macerated 21 days at around 20°C. Fermented with indigenous yeasts. Lightly filtered (earth filters) before bottling. 12% ABV. Quebec agent: La QV/Insolite.
Sappy in the way of a good Beaujolais, though the red berries are a little candied and shot through with some greenness. Supple and tasty. Juicy fruit and sustained acidity play against a schisty backdrop while the tannins turn a little bitey on the sustained finish. Finely balanced yet appealingly rustic. To my surprise, this didn’t create the same sensation that the 2013 did (different contexts?). (Buy again? Yes.)
Quebec 2012, Pinot Noir Réserve, Domaine les Brome ($26.00, 12685879)
100% Pinot Noir according to the winery’s website (SAQ.com says the wine contains 7% Maréchal Foch). Macerated and fermented in stainless steel tanks. Matured 12 months in oak barrels. Reducing sugar: 1.9%. 12% ABV. Quebec agent: Univins.
A nose that tasters described as “electrical fire,” “cordite” and simply “weird.” Reactions to the taste were similar, “copper penny” being the one I noted. The not very pinot-ish fruit is brightened by good acidity but deflated by saggy tannins and muddied by extraneous flavours. Odd-tasting finish. I’m hoping ours was an off bottle. (Buy again? Unlikely.)
This flight was built around the Trollinger and the other two wines were chosen in the hope that they might be close to its light body. Neither was. In fact, I’ve encountered only one wine recently that is: Domaine de la Pinte’s 2012 Arbois “Poulsard de l’ami Karl,” which we tasted back in October.
MWG November 12th tasting: flight 4 of 6
L’autour d’Anne Paillet
Anne Paillet is married to Greg Leclerc. In 2010, she decided to abandon her corporate career and become a natural winemaker. Wanting to make wines different from Leclerc’s, she has leased 2.5 hectares of biodynamically farmed vines from Languedoc winemaker Christophe Beau (Domaine Beauthorey in the Pic Saint-Loup region). Harvesting is manual and the grapes are vinified naturally, in concrete tanks with no added anything, in the Languedoc. Wanting to make wines different from your everyday Languedocs, she transports the just-fermented juice to Leclerc’s cellars in the Loire for malolactic fermentation, maturation, blending and bottling with no fining, filtering or added sulphur.
Depending on the date on which the wine leaves the Languedoc, it is labelled Coteaux du Languedoc or Vin de France. To avoid red tape and confusion, Paillet is reportedly planning to opt exclusively for the Vin de France designation in future vintages.
Coteaux du Languedoc 2013, C.S.G., Autour de l’Anne ($27.71, private import, 12 bottles/case)
Syrah and Grenache with a little Cinsault thrown in. The 40- to 60-yar-old vines are rooted in limestone and red clay. The grapes are vinified separately in tanks, with alcoholic fermentation typically lasting 12 to 14 days. Maturation in concrete tanks lasts 12 months. 13% ABV. Quebec agent: Deux Caves.
Engaging nose of red and black fruit with hints of spice and faint burnt rubber. Medium-bodied, dry and savoury, with clean fruit and bright acidity. Fundamentally fluid and supple though not lacking tannic grit. The finish is long and minerally. As Loire-ish and it is Languedoc-ish, this is a wonderfully drinkable wine. What’s more, a few bottles remain available. (Buy again? Done!)
Coteaux du Languedoc 2013, Pot d’Anne, Autour de l’Anne ($55.47/1500 ml, private import, 6 bottles/case, NLA)
The cuvée’s name, which translates as “Anne’s pot,” is a homonym of peau d’âne (donkey skin). 100% Cinsault from 20-year-old vines grown on limestone and red clay. Half the grapes are destemmed, the other half left as whole clusters. Semi-carbonic maceration in concrete tanks lasts 12 days. Maturation in concrete tanks lasts 12 months. 12.5% ABV. Quebec agent: Deux Caves.
Pretty, perfumy nose of red and black fruit, including berries, overtoned with flowers, sawed wood and spice. Barely medium-bodied. The lightly juicy fruit is fresh and fluid, structured by supple tannins. Finishes long and clean. So, so drinkable. (Buy again? Moot but yes.)
At the second tasting, someone asked why the wines were so Loire-like. Could the fact that they were fermented with native yeasts explain it? Probably not, as the wines didn’t leave the Languedoc until alcoholic fermentation was completed. On the other hand, malolactic fermentation took place in the Loire, so indigenous bacteria could be a factor (though wouldn’t the wines also bring some Languedoc microflora with them?). To my mind, Max Campbell’s theory that the difference is due to the cooler temperatures of the Loire cellars seems more realistic.
♦
As mentioned earlier, both tastings were followed by a light meal of salads, charcuterie and cheese. As the tail ends of the Deux Caves bottles were insufficient to slake the collective thirst, a few other wines were uncorked (gratitude to all who supplied them). I stopped taking notes at that point but wanted to mention four in passing.
Damien Coquelet’s Beaujolais-Villages “Fou du Beaujo” has long been a Mo’ Wine Group favourite. At the second tasting, the 2012 ($22.43, private import, La QV/Insolite, NLA) and 2014 ($19.20, 12604080) were served side by side. The 2012 was a thing of beauty: vibrant, fruity, sappy, fluid, lip-smacking. The 2014 seemed a little harder and less smiling, though whether that’s a function of the vintage, the age, this particular bottle or the filtering and/or sulphuring possibly required by the SAQ is anybody’s guess.
The Valle del Maule 2014, Pipeño, Collection Rézin, Louis-Antoine Luyt ($18.15, 12511887) is a lovable, natural Chilean wine made entirely using purchased País grapes from organcially farmed vines about a century and a half old. (Luyt buys the grapes – at fair trade prices – from his pickers, one of whose photograph appears on the label.) Fragrant and fruity, ripe and juicy, light and fresh, with frisky acidity, very soft tannins, a disarming rusticity and a quaffability quotient that’s off the charts. I’ve drunk more of this wine than any other this year and it was interesting to hear others who were just discovering it planning to buy cases the next time it rolls around.
The 2001 Château Coutet is a classic Barsac that’s showing beautifully. Rich but not heavy (good acidity), sweet but not saccharine. The complex flavours and aromatics are dominated by stone fruit and botrytis. The finish lasts for minutes. A deluxe end to a most enjoyable evening.
MWG September 27th tastings: flight 3 of 3
♦
Lastly, here’s a link to another, much less tardy report on the tasting – one from which some of the earlier-cited technical information about Xavier Marchais comes – that was posted on the Quebec-based wine discussion board Fou du vin by a new and welcome addition to the Mo’ Wine Group. Du beau travail, Raisin Breton !
Le gros lot de Greg Leclerc
A historian by training, Grégory Leclerc did stints as a journalist and marketer before falling into the world of natural wine-making. He purchased his four-hectare estate – downsized from the original 6.5 hectares, named Chahut et Prodiges and located in Chargé in the hills near Amboise in the Tourraine – in 2007. He farms organically and makes wines from Chenin Blanc, Sauvignon Blanc, Gamay, Côt and Grolleau. The land is worked using a tractor, though Leclerc says he may switch to horses at some point. Harvesting is manual. Vinification of the reds involves placing the whole clusters in concrete tanks for two to three weeks with no added sulphur and no punch-downs or pump-overs – a form of carbonic maceration, what? Pressing is slow and gentle. The wines are unfined and lightly filtered. No sulphur is added to the reds; a tiny amount is added to the whites at bottling.
Vin de France 2013, Le Coup de Canon, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case, NLA)
100% Grolleau from 60-year-old vines grown on clay and flint. Matured around nine months in fibreglass tanks. 11% ABV. Quebec agent: Deux Caves.
Lovely nose of Swedish berries, sandalwood, green earth and clean horse stable. Light-bodied and dry. The tart fruit is set on slate. Barely tannic with a silky texture and clean finish. The bottle at the second tasting showed even brighter and cheerier than the one at the first. Simple and appealing, as wines made from this variety should be. A vin plaisir that goes really well with charcuterie. (Buy again? Done!)
Vin de France 2013, La Meule, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case, NLA)
100% Gamay from 25- to 30-year-old vines grown on clay and limestone. Matured around nine months in fibreglass tanks. 11% ABV. Quebec agent: Deux Caves.
Sour red berries, smelling a bit candied, with gamy, slate and pastry overtones. Wonderfully pure, tart and juicy fruit, vibrant acidity and lacy tannins. Long, smooth finish. A complete wine that even Beaujolais sceptics might like. If Deux Caves hadn’t been sold out of this, the group would have ordered two or three cases on the spot. (Buy again? If only…)
Vin de France 2013, Les Têtes Noires, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case)
100% Côt (aka Malbec). Matured in used barrels. 11% ABV. Quebec agent: Deux Caves.
Darker, meatier nose, the fruit tending to roasted cherries and blackberries with slate and wood notes. Smooth on the palate, due in part to acidity that’s softer than the other Leclerc wines and a tannic structure that’s lighter than expected. Savoury finish though not a lot of follow-through. For me, the wine’s best quality is the purity of its fruit. (Buy again? Done!)
Vin de pays du Val de Loire 2012, Grolleau, Clau De Nell ($40.00, 12411763)
100% Grolleau from biodynamically farmed vines between 60 and 90 years old and grown in silty clay on tufa. Yields were a low 17 hl/ha. Harvested by hand and destemmed. Maceration and fermentation (indigenous yeasts) at 18 to 25°C and involving gentle punch-downs and limited pump-overs lasted 20 days. The grapes were then gently and slowly pressed with a pneumatic press. Half the wine was transferred to fifth-fill French oak casks from Burgundy and half to large vats for maturation on the fine lees, which lasted 12 months. The wine was bottled on a fruit day without filtering or fining. 12% ABV. Quebec agent: Séguin-Robillard.
Raspberry-green pepper jelly with a hint of sawed wood. Extracted and dense bordering on heavy. Oddly, given the avoidance of new barrels, the oak treatment seemed a little too lavish and obvious for such a modest grape variety (and I wasn’t the only one to complain of such). Combine that with relatively low acidity and you have a lethargic wine, albeit one with a certain hefty presence. Bottom line: it’s a wine that tries to hard, that gives itself airs. Tellingly, the wine was served double-blind and no one guessed it was made from the same grape as the archetypal Coup de Canon. A few years in the cellar may improve things but who knows? While I’ve enjoyed earlier vintages, this is not what I’m looking for in a Grolleau. (Buy again? Nope.)
Mo’ Wine Group September 27th tastings: flight 2 of 3
Brett happens 
Cause for regret
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Bardolino Classico 2014, Tacchetto, Guerrieri Rizzardi ($19.50, 12132465)
Corvina (80%), Merlot (10%) and Rondinella (10%) from vines averaging five to 42 years old and grown in the dry-farmed Tachetto vineyard. The grapes are picked by machine and hand and destemmed. Fermentation at 25-30°C with selected yeasts lasts 10 to 15 days. Matured three to six months off the lees. Sees only stainless steel until bottling. Filtered. Reducing sugar: 3.8 g/l. 13% ABV. Quebec agent: Valmonti.
Lilting nose of funky cherry, fall leaves and sandalwood spice. In the mouth, it’s a featherweight, a caress of faintly sweet-and-sour fruit, fluid acidity and gossamer tannins that lend an ephemeral astringency to the finish. A light wash of mineral and wood flavours adds interest but not enough to stop you from thinking there’s not much there there. Serve lightly chilled. (Buy again? Probably not but… see below.)
While I didn’t taste them side by side, this 2014 initially seemed paler, sweeter and less alluring than the 2013, which I rather liked (“dry, tart, supple tannins, clean finish, moreish” per my May 2015 note). After Sunday dinner, I transferred the remaining wine into a half bottle (filling it right up), corked the bottle and stuck it in the fridge overnight. And lo, the wine was better the next day – slightly rounder and more vibrant, with the morello cherry to the fore – maybe even better enough to convince me to buy a second bottle.
And yet, as enjoyable as this and similar wines can be, I increasingly find drinking them a cause for regret – regret at what might have been. That point was driven home by a bottle of Ca’ de Noci‘s Sottobosco, a “natural” Lambrusco in everything but name, savoured the evening before I opened the Rizzardi. Though similar in weight and application, the Sottobosco delivered energy, refreshment, personality, engagement, charm and satisfaction that made the Bardolino pale in comparison. Imagine what the Tacchetto could be if the vineyard was farmed organically, if the yields were less than 85 hl/ha, if the grapes were picked only by hand, if native yeasts were used for fermentation, if intervention in the cellar was minimized, if the wine was bottled unfiltered and unsulphured. Unfortunately, at this point, imagine is all we can do.
Written by carswell
November 27, 2015 at 13:27
Posted in Commentary, Tasting notes
Tagged with Inexpensive, Natural wine, Red wine, Veneto