Posts Tagged ‘From the cellar’
Located between Siena and Arezzo, the 60-hectare Fattoria di Caspri estate has nine hectares of grape vines and seven hectares of olive trees. The estate’s founding dates back nearly to the beginning of the Common Era, when Roman general Casperius Aelianus made it his home. The current main building is a relative youngster, having been built in the 18th century.
Farming has been organic and biodynamic since 2006, when the estate was acquired by its current owners. The soil tends to be light and sandy mixed with decomposed gneiss and a little clay. While the focus is on traditional grape varieties (mainly Sangiovese, Canaiolo Cillegiolo, Trebbiano and Malvasia), the estate also has experimental plots of Syrah, Grenache and Pinot Noir.
The wine-making is identical for all the reds. The manually harvested grapes are fermented in small, non-temperature-controlled conical vats with indigenous yeasts. Total maceration time is three to four weeks. After pressing, the wine is transferred into old barrels for 18 to 20 months’ maturation. The wines are bottled unfiltered and unfined. No sulphur is added.
IGT Toscana Rosso 2013, Rosso di Caspri, Fattoria di Caspri ($31.21, private import, 12 bottles/case)
100% Sangiovese from young vines. 12.3% ABV. 650 cases made. Quebec agent: WINO.
Attractive nose of bitter cherry, fresh herbs, slate, turned earth and a little ash. “Kind of meaty” is the first (and accurate) comment about the flavour of this medium-bodied and very dry wine. Red fruit, tingly acidity and fine astringent tannins made for a somewhat austere if appealingly rustic mouthful. Finishes clean. (Buy again? Sure.)
IGT Toscana Rosso 2013, Poggio Cuccule, Fattoria di Caspri ($41.15, private import, 6 bottles/case)
100% Sangiovese from 45-year-old vines. 125 cases made. 13.1% ABV. Quebec agent: WINO.
Gorgeous, floral nose of cherry, fresh almond and old wood. Medium-bodied. A sip is like biting into a morello cherry. Fresh, fleet, intense and pure. The energy is palpable and the wine seems lit from within by glowing acidity. The tannins are fruit-cloaked. Minerals, wood and earth undertones add depth, not darkness. Finishes long and clean. Stunning Sangiovese. (Buy again? Oh, yes.)
IGT Toscana Rosso 2014, Casperius, Fattoria di Caspri ($67.31, private import, 6 bottles/case)
A blend of Sangiovese and Syrah. 12.7% ABV. Quebec agent: WINO.
Closed nose that with coaxing reveals red fruit, dried herb, violet, leather and mint notes and a whiff of barnyard. In the mouth, it’s fuller-bodied, smoother, rounder and less acidic than its flightmates, though it does share some of the Rosso’s meatiness. Depth, breadth and length it has in spades though it would probably benefit from a year or two to come together. Perhaps a little overshadowed by the Poggio Cuccule, I suspect this would prove wholly satisfactory on its own at dinner. (Buy again? Maybe.)
IGT Toscana 2010, Luna Blu, Fattoria di Caspri ($28.50 in 2013, private import, 6 bottles/case, NLA)
An orange wine made from a 50-50 blend of Trebbiano and Malvasia. Macerated on the skins for four weeks before pressing. Matured in small wood barrels. No filtering, fining or added sulphur. Under 100 cases made. 13.3% ABV. Quebec agent: La QV at the time, now WINO. The newest vintage is slated to arrive later this spring.
Bronze with a rosé cast. Sultry nose of “elderflower,” sawdust and hints of apricot skin and dried tangerine peel. Rich and smooth in the mouth, bright acidity notwithstanding. Fruity yet dry, the flavours tending to citrus and spice with a mineral undercurrent. Faint tannins add a little grit to the otherwise sleek texture. Long. As mentioned in my October 2013 tasting note, the winemaker has stated that the wine would be at its apogee in 2017. In the event, while it may not be the deepest, most structured or even most involving orange wine, it is definitely a pleasure to drink. Paired beautifully with a selection of cheeses from Yannick, especially a raw-milk L’Étivaz. (Buy again? Moot. But I’m looking forward to the new vintage.)
MWG March 23rd tasting: flight 6 of 6
Valle del Maipo 2004, Gran Reserva Blend, Viña Chocalán (NLA)
Our bottle came from Steve’s cellar; the 2011 is currently available at the SAQ ($30.25, 11447588). A blend of Cabernet Sauvignon (30%), Malbec (24%), Merlot (15%), Syrah (13%), Petit Verdot (10%) and Cabernet Franc (8%) from vines averaging seven years old and grown in chalky soil. Manually harvested. Destemmed. The whole grapes were cold macerated for five days. The juice was then fermented with indigenous yeasts in temperature-controlled (28°C) stainless steel tanks. Matured 14 months in French oak barrels. Lightly filtered and fined before bottling. Residual sugar (per the winery): 1.8 g/l. 14% ABV. Quebec agent: LCC/Clos des Vignes.
Powerful nose of roasted coffee, resiny dried herbs, “asphalt shingles” (per another taster), leather, plum and a hint of “something decomposing.” Less punishing in the mouth than the nose might lead you to expect. Full-bodied, velvety, very dry and, in its way, balanced: heady but not hot and impressively structured, the mass well shaped by round, firm tannins and surprisingly vibrant acidity. Tertiary flavours are beginning to dominate the dark fruit, which nonetheless persists through the long chocolate- and eucalyptus-inflected finish. Really needs a hunk of grilled red meat. (Buy again? Not my style but if it were, sure.)
MWG March 12th tasting: flight 6 of 7
The last flight of the tasting ended up being an impromptu affair as both of the originally planned bottles – the Languedoc 2013, Terrasses du Larzac, Carlan, Mas Julien ($43.75, 12628516) and Côtes du Roussillon 2011, La Foun, Domaine Gauby ($123.00, 12300377) – were corked. Our replacements came from a nearby SAQ outlet and my cellar.
Campo de Borja 2013, Veraton, Bodegas Alto Moncayo ($34.00, 11668241)
100% Garnacha (aka Grenache) from vines between 30 and 50 years old and rooted in red clay and slate. Matured 17 months in French and American oak barrels (60% and 40% new respectively). Unfiltered. Reducing sugar: 1.8 g/l. 15.5% ABV. Quebec agent: Le Marchand de Vin.
Fast-morphing nose. Snapshots along the way: India ink, chocolate, oak, blueberry, oak, caramel, sweet spice, raspberry, oak, faint plum, coffee. Full-bodied and rich but surprisingly well balanced despite the alarming alcohol level. The fruit is dense bordering on bombish, the acidity bright and the tannins firm but unaggressive. Massively oaky at first though turning purer and cleaner with some air. Still, vanilla runs from entry to mid-palate and turns to mocha on the long finish. Thank Bacchus, it’s dry. Impressive in its way and delivering excellent QPR but not at all up my alley. (Buy again? Nope though if big oaky reds are your thing, make a beeline.)
Napa Valley 1990, Petite Sirah, York Creek, Ridge Vineyards (c. US$20 in the early ’90s, importation valise)
A blend of Petite Sirah (aka Durif, 86%) and Zinfandel (14%) from dry-farmed vines in the York Creek vineyard. Given extended fermentation with indigenous yeasts. Clarified by racking. Matured 14 months, during which time the wine was fined twice “to soften the firm tannins.” Bottled in May 1992. 13.9% ABV.
Popped and poured. Complex, evolving nose: slate, clay, red plum, “blue cheese,” leather, menthol, blueberry pie. Full-bodied if austere though built around a core of pure, plummy fruit. Beautifully structured: the tannins, once formidable and still sinewy, have softened some while sleek acidity brightens the dark flavours. Deep slate underlies the mid-palate, spice and wood overtone the long finish. Tasting double-blind, everyone guessed this was an Old World wine and no one suspected it was more than 10 years old. At or maybe just past peak; if you have any bottles of this, drink them soon. (Buy again? If only…)
MWG February 26th tasting: flight 7 of 7
Anne Paillet is married to Greg Leclerc. In 2010, she decided to abandon her corporate career and become a natural winemaker. Wanting to make wines different from Leclerc’s, she has leased 2.5 hectares of biodynamically farmed vines from Languedoc winemaker Christophe Beau (Domaine Beauthorey in the Pic Saint-Loup region). Harvesting is manual and the grapes are vinified naturally, in concrete tanks with no added anything, in the Languedoc. Wanting to make wines different from your everyday Languedocs, she transports the just-fermented juice to Leclerc’s cellars in the Loire for malolactic fermentation, maturation, blending and bottling with no fining, filtering or added sulphur.
Depending on the date on which the wine leaves the Languedoc, it is labelled Coteaux du Languedoc or Vin de France. To avoid red tape and confusion, Paillet is reportedly planning to opt exclusively for the Vin de France designation in future vintages.
Coteaux du Languedoc 2013, C.S.G., Autour de l’Anne ($27.71, private import, 12 bottles/case)
Syrah and Grenache with a little Cinsault thrown in. The 40- to 60-yar-old vines are rooted in limestone and red clay. The grapes are vinified separately in tanks, with alcoholic fermentation typically lasting 12 to 14 days. Maturation in concrete tanks lasts 12 months. 13% ABV. Quebec agent: Deux Caves.
Engaging nose of red and black fruit with hints of spice and faint burnt rubber. Medium-bodied, dry and savoury, with clean fruit and bright acidity. Fundamentally fluid and supple though not lacking tannic grit. The finish is long and minerally. As Loire-ish and it is Languedoc-ish, this is a wonderfully drinkable wine. What’s more, a few bottles remain available. (Buy again? Done!)
Coteaux du Languedoc 2013, Pot d’Anne, Autour de l’Anne ($55.47/1500 ml, private import, 6 bottles/case, NLA)
The cuvée’s name, which translates as “Anne’s pot,” is a homonym of peau d’âne (donkey skin). 100% Cinsault from 20-year-old vines grown on limestone and red clay. Half the grapes are destemmed, the other half left as whole clusters. Semi-carbonic maceration in concrete tanks lasts 12 days. Maturation in concrete tanks lasts 12 months. 12.5% ABV. Quebec agent: Deux Caves.
Pretty, perfumy nose of red and black fruit, including berries, overtoned with flowers, sawed wood and spice. Barely medium-bodied. The lightly juicy fruit is fresh and fluid, structured by supple tannins. Finishes long and clean. So, so drinkable. (Buy again? Moot but yes.)
At the second tasting, someone asked why the wines were so Loire-like. Could the fact that they were fermented with native yeasts explain it? Probably not, as the wines didn’t leave the Languedoc until alcoholic fermentation was completed. On the other hand, malolactic fermentation took place in the Loire, so indigenous bacteria could be a factor (though wouldn’t the wines also bring some Languedoc microflora with them?). To my mind, Max Campbell’s theory that the difference is due to the cooler temperatures of the Loire cellars seems more realistic.
As mentioned earlier, both tastings were followed by a light meal of salads, charcuterie and cheese. As the tail ends of the Deux Caves bottles were insufficient to slake the collective thirst, a few other wines were uncorked (gratitude to all who supplied them). I stopped taking notes at that point but wanted to mention four in passing.
Damien Coquelet’s Beaujolais-Villages “Fou du Beaujo” has long been a Mo’ Wine Group favourite. At the second tasting, the 2012 ($22.43, private import, La QV/Insolite, NLA) and 2014 ($19.20, 12604080) were served side by side. The 2012 was a thing of beauty: vibrant, fruity, sappy, fluid, lip-smacking. The 2014 seemed a little harder and less smiling, though whether that’s a function of the vintage, the age, this particular bottle or the filtering and/or sulphuring possibly required by the SAQ is anybody’s guess.
The Valle del Maule 2014, Pipeño, Collection Rézin, Louis-Antoine Luyt ($18.15, 12511887) is a lovable, natural Chilean wine made entirely using purchased País grapes from organcially farmed vines about a century and a half old. (Luyt buys the grapes – at fair trade prices – from his pickers, one of whose photograph appears on the label.) Fragrant and fruity, ripe and juicy, light and fresh, with frisky acidity, very soft tannins, a disarming rusticity and a quaffability quotient that’s off the charts. I’ve drunk more of this wine than any other this year and it was interesting to hear others who were just discovering it planning to buy cases the next time it rolls around.
The 2001 Château Coutet is a classic Barsac that’s showing beautifully. Rich but not heavy (good acidity), sweet but not saccharine. The complex flavours and aromatics are dominated by stone fruit and botrytis. The finish lasts for minutes. A deluxe end to a most enjoyable evening.
MWG September 27th tastings: flight 3 of 3
Lastly, here’s a link to another, much less tardy report on the tasting – one from which some of the earlier-cited technical information about Xavier Marchais comes – that was posted on the Quebec-based wine discussion board Fou du vin by a new and welcome addition to the Mo’ Wine Group. Du beau travail, Raisin Breton !
To celebrate his impending marriage, a MWG member raided his cellar and generously treated the group to two 1990 St-Juliens. Thanks and congratulations, David!
Saint-Julien 1990, Château Lagrange
A blend of Cabernet Sauvignon (44%), Merlot (44%) and Petit Verdot (12%). Manually harvested. Maceration and fermentation of the various lots takes place in temperature-controlled (28°C) stainless steel vats ranging in size from 66 to 220 hl and lasts two to three weeks. The lots are selected, blended and matured in French oak barrels (60% new) for 21 months. Fined with egg whites and racked by candle light before bottling. 13% ABV.
Young to the eye for a 25-year-old wine: some fading at the rim but virtually no bricking. Effusive nose of cassis, graphite, red meat, “honeycomb,” modelling clay, cigar box and green pepper. Savoury and smooth, rich and elegant. The tannins are mostly resolved though the wine still has plenty of structure. Leather, stones, spice and wood (not oak) overtone the long finish. A complete wine. Classic Médoc, at or near peak.
Saint-Julien 1990, Château Léoville-Barton
A blend of Cabernet Sauvignon, Merlot and Cabernet Franc; haven’t found the exact percentages used in 1990 but it’s usually something like 65%, 25% and 10% respectively. Current-day wine-making practices, which are probably not too dissimilar from those used a quarter of a century ago, are: manual harvesting; destemming, crushing and fermenting on a plot by plot basis in temperature-controlled wood vats; alcoholic fermentation lasting seven to 10 days with twice daily pump-overs; three week’s maceration on the skins; maturation in French oak barrels (50-70% new) for 16 to 18 months and topped up three times a week; fining in the barrels with fresh egg whites. 12.5% ABV.
Even less bricking than the Lagrange. The expected cassis is there but as a backdrop to beef chop suey, “tamarind,” chestnut honey and graphite. Smoothly structured with soft-glow acidity and round, resolving tannins that, as chewing reveals, still have an astringent bite. The fruit remains vibrant and the wine’s depth is not yet fully in evidence. Tobacco and cedar linger long. Darker and more umami-rich than a bottle opened a decade earlier, I think this needs another five or 10 years to peak. That said, I’m sure it’d be a here-now delight with a roasted leg of lamb.
MWG October 8th tasting: flight 6 of 7
I pull an old bottle from my cellar. Thinking it’s probably over the hill and not something I’d want to chance sharing with friends, I open it one evening when I’m alone. The wine is glorious. And I’m the only person around to appreciate it.
In this case, the bottle is a Sonoma Mountains 1993, Cabernet Sauvignon, Laurel Glen, for which I paid a stiff $49.50 back in the day. The reason why was that it was said to be a sleeper, an underappreciated wine that could hold its own against better-known Cal Cabs costing two or three times as much. And you know what? It does.
Earlier in the day, I’d found a a beautiful veal rib steak sitting in my butcher’s display case. Looking for something I could, weather permitting, grill or, weather not, cook on the stovetop, I grabbed it.
Look in food-and-wine pairing books and you’ll often find that mature Bordeaux, in particular Médoc, is a recommended accompaniment for côtes de veau. And I was sure I had a cru bourgeois or two from the 1990s or early 2000s at home. Except when I looked, I didn’t. After hesitating over a 2002 Chinon, I went with this. And now, since there’s no one to share the experience with, I regret it. Except the wine is so delicious, I don’t really.
Gorgeous Bordeauxish nose of cassis, cedar and cigar box along with notes of turned earth and slate. A joy in the mouth: the fruit sweet and vibrant, the texture satiny, the tannins resolved into velvet, the acidity bright and streaming. The long finish is remarkable for its complex of savoury, minerally, tobacco/herby nuances. What’s more, the wine is dry and perfectly digeste, spritely, invigorating, with an alcohol level of 12.5%. Probably as good as it ever will be, though probably not declining for a few years more.
It’s the kind of wine that restores my faith in California. Except does anyone in California make wines like this any more?
Bandol 2006, Domaine du Gros’Noré ($55.00, 11553938)
A blend of Mourvèdre (75%), Grenache (10%), Cinsaut (10%) and Carignan (5%) from vines averaging 30 years old. Partially destemmed.Traditional vinification with 15 days’ maceration and fermentation (indigenous yeasts). Matured 18 months in old oak foudres. Unfiltered, unfined. 15% ABV. Quebec agent: oenopole.
Effusive nose of plum, dark earth, hints of tobacco and herbs. Youthful but resolving. The dark heart of plush, ripe fruit and inky minerals is framed by round tannins and soft acidity. Olives and garrigue perfume the long finish, the alcohol unapparent. Surprisingly elegant for a wine of its size and inherent earthiness. (Buy again? Gladly.)
Bandol 2007, Domaine Tempier (c. $50 as a private import in 2009)
The so-called cuvée classique. Typically 75% Mourvèdre, 14% Grenache, 9% Cinsault and 2% Carignan from vines averaging around 40 years old. Manually harvested. The destemmed grapes are macerated and fermented (with indigenous yeasts) for two to three weeks in stainless steel tanks. The must is pressed and the wine is transferred to oak foudres for malolactic fermentation and 18 to 20 months’ maturation. Unfiltered and unfined. 14.5% ABV. Quebec agent: oenopole.
Initial bottle funk blows off, leaving a rich, evolved nose of plum, spice, graphite, earth, composted leaf, old wood and cigar box. Full-bodied despite the Gros’Noré wines making it seem more like medium. Smooth on the surface, the fruit ripe and satiny, yet resilient tannins provide some grit while acidity brightens and slate darkens. Long. A savoury, earthy, somehow elegant wine that tastes like it’s approaching its plateau of maturity, though the stuffing, structure and balance point to another decade of life. (Buy again? Yes.)
Bandol 2010, Cuvée Antoinette, Domaine du Gros’Noré ($74.00, 12207033)
Only a few hundred bottles of this cuvée named after the winemaker’s mother are made each year. Mourvèdre (95%), Grenache (3%) and Cinsault (2%). Not destemmed. 15% ABV. Quebec agent: oenopole.
Better after 30 minutes in the glass. Plum skin, grassy meadow, humus, Asian spice, game.
On the palate, it’s rich, dry, full-bodied, broad and deep – primary and powerful but not forbidding. The sweet core of ripe fruit is wrapped in savouriness and finely if firmly structured by velvety tannins and sustained acidity. The endless, dark, minerally finish has an astringent rasp. Pure and complete. Delicious now, amazing in 2020. (Buy again? Would love to.)