Posts Tagged ‘No added sulphur’
Skin or not
Kakheti 2016, Chinuri No Skin, Pheasant’s Tears ($43.25, private import, 6 bottles/case)
100% Chinuri. Direct pressed (no maceration) but still made in large beeswax-lined qvevri sunk into the ground. Spontaneous fermentation. Unfiltered and unfined. No added sulphur. 11% ABV. Quebec agent: La QV.
Subtle nose: white fruit (pear?), quartz, a faint floral note. Medium-bodied. Very dry though fruity enough that that’s not immediately apparent. Smooth on entry, then the tingly acidity kicks in. The fruit is more citrus than, say, stone and the sustained finish is mineral-laden. Clean, crisp, refreshing and more complex than it initially seems. Cyril, who visited Georgia recently, says this wine is magnificent after 10 years or longer in the bottle. (Buy again? Def.)
Kakheti 2017, Rkatsiteli Bodbiskhevi, Pheasant’s Tears ($39.55, private import, 6 bottles/case)
100% Rkatsiteli from the village of Bodbiskhevi. Spent 30 days on the skins. 12.5% ABV. Quebec agent: La QV.
Bronze to the eye. Fragrant, savoury nose: ramen, apple and apricot skins, dried sawdust. Pronounced tannins and fluent acidity structure the fruit (peach leather?) and confer a slightly grippy texture. Herbal overtones and mineral undertones add savour and depth. A touch of nuttiness (walnut skins?) emerges on the long finish. Complex, flavourful, engaging and about as close to a classic Georgian orange wine as you’re likely to get. (Buy again? Yep.)
Kakheti 2016, Rkatsiteli, Pheasant’s Tears ($44.80, private import, 6 bottles/case)
100% Rkatsiteli. Reportedly spent about a month on the skins. 12% ABV. Quebec agent: La QV.
Hazy, even turbid beige. Odd nose with a plastic note that opens up to yellow fruit, white minerals and straw. In the mouth, it’s a bit spritzy, perlant as the French say, and fuller-bodied than you might expect. Fruity but dry, with zingy acidity and faint tannins. Overtoned with herbs and dried flowers. Little if any oxidation but a long, clean, tangy finish. So charming. (Buy again? Yep.)
Yet another set of excellent wines from Pheasant’s Tears. The only downside is the prices, which have taken a jump well in excess of 10%. Cyril says that’s primarily because the SAQ, which imports the wines into Quebec, doesn’t have a pickup point in Georgia or environs, meaning the wines have to transit through a country that does. Earlier shipments have gone through Sweden, which, as a non-member of the Eurozone, doesn’t charge Eurozone tariffs. This current shipment transited through Italy, which does.
MWG March 20th tasting: flight 6 of 7
Georgia straight
Most ampelographers and wine historians consider the South Caucasus region – and more specifically, the part occupied by modern-day Georgia – to be the birthplace of wine-making, with archeological evidence stretching back some 8,000 or 9,000 years. Although modern-styled Georgian wines can be found, the most interesting continue to be made using traditional techniques. The grapes – some of the hundreds of indigenous varieties found in Georgia – are picked and trod. The resulting must is transferred, often along with the skins, ripe stems and seeds, to large qvevri, terracotta jars and sunk into the cool ground, where it ferments (with indigenous yeasts) and matures. The process, from start to finish, is nicely summarized in this video.
The resulting wines are full of character – they’ve got guts, as Hugh Johnson puts it in another video – and are unlike any other. Like Jura wines, they aren’t to everyone’s taste and even those of us who are fascinated by them may find ourselves forced to abandon our usual appreciation criteria and descriptors, taken out of our comfort zone and questioning what it is we want from a wine. It’s a brave old world and one we’re glad to have the opportunity to explore.
Established in 2007 by an American artist and a Georgian, Pheasant’s Tears winery is located south of the Greater Caucasus mountains in the Kakheti region of eastern Georgia. The wines are made traditionally in qvevri lined with organic beeswax. Skin/stem/pip contact varies from wine to wine but no sulphur is added to any of them.
Kakheti 2017, Poliphonia, Pheasant’s Tears ($44.80, private import, 6 bottles/case)
Georgia counts 525 indigenous grape varieties. This is a field blend of 417 of them. The vines – between one and 10 of each variety – are co-planted. The grapes are harvested in three or four passes and so are a mix not only of colours but also of ripeness levels. Co-fermented in qvevri. 12.5%. Quebec agent: La QV.
Technically a red but actually a dusky rosé with an amber cast (the colour reportedly differs from vintage to vintage). Initially reduced nose – “durian,” per one taster, and sulphur – gives way to hard-to-pin-down fruit (“strawberry rhubarb” was the best anyone came up with). In the mouth, it’s barely medium-bodied and quite dry. The beautiful if – again – elusive fruit has an acidic/citric streak. Complex set of flavours. Smooth, fluent texture. The tannins are light, more like a full-bore orange wine’s than a structured red. Tangy finish. Evolves – improves – in the glass. Delightfully disorienting: unlike anything any of us had encountered before. The wine of the night for many and the only wine in the tasting that the group ordered three cases of. (Buy again? Done!)
Kakheti 2015, Tavkveri, Pheasant’s Tears ($44.80, private import, 6 bottles/case)
100% Tavkveri. 12.5%. Quebec agent: La QV.
Reticent, faintly funky nose with notes of fur and dog hair that segues into dark berries. Medium-bodied and juicy-fruited. Dry. Fine structure: sleek acidity, limber if a little raspy tannins. Long, tasty but a bit of a wallflower in comparison to its weirder flightmates. Will be interesting to see what time in the cellar brings. (Buy again? A bottle to spend time with now and another to revisit in 2022.)
Kakheti 2016, Saperavi, Pheasant’s Tears ($44.80, private import, 6 bottles/case)
100% Cabernet Saperavi. 14%. Quebec agent: La QV.
As, always, the biggest red. Unevolved nose of dark fruit and minerals, the reductive notes quickly blowing off. Smooth even elegant in the mouth for such a rich and full-bodied wine. The fruit (“cherry on the attack”) is dense yet the wine is fluid and fleet. Husky tannins, sleek acidity and dark minerals provide structure and relief. The long finish is bitter-edged. Somewhat monolithic but, hey, it’s young. It’s also vigorous and well-balanced and earlier vintages have aged beautifully. Enjoyable now, even better in two to five years. (Buy again? Done!)
A couple of decades ago, when wine on the Web was becoming a thing, there was a site where you could keep a list of the grape varieties you had tasted and, when you reached 100, receive a certificate. (Given the rarity of obscure varieties on the North American market at the time, it was a much bigger challenge than it would be today.) Anyway, a friend points out that a single sip of the Poliphonia would have qualified you for the certificate more than four times over.
MWG March 20th tasting: flight 5 of 7
Drunk back to life
Shrugging off its rumoured demise, the Mo’ Wine Group officially met last week for the first time in nearly a year. Plans are to continue holding tastings, probably monthly.
The relaunch was timed to coincide with the arrival of a new shipment of Georgian wines from Pheasant’s Tears. It also featured other wines from La QV’s portfolio and was led by the agency’s numero uno, Cyril Kérébel, soldiering on despite a recently broken ankle.
As befitted a celebratory occasion, we began with a sparkler, in this case an off-white from one of the group’s favourite producers.
Burgenland 2017, Foam White, Meinklang ($40.40, private import, 6 bottles/case)
A 100% Pinot Gris pét-nat from biodynamically farmed vines planted on the winery’s Austrian – as opposed to Hungarian – estate. Spontaneous fermentation. Part of the wine was made in concrete eggs. To go by the colour and texture, it spent some time on the skins. Not disgorged. Unfiltered and unsulphured. Vegan-compatible. Crown-capped. Residual sugar: 1.2 g/l. 12% ABV. Quebec agent: La QV.
Slightly hazy bronze-pink with peach glints. Quickly rising foam quickly disappears. Fruity nose (peach, cherry, blood orange) with sandstone, “apple skin” (to quote another taster) and distant yogurt notes. Super-dry, softly effervescent, clean and minerally. Possessing a certain, well, if not weight then density. A stream of acidity runs throughout and is joined by a faint tannic bitterness that textures the long finish. Lingering “chamomile and tea.” Interesting – satisfying, even – though not particularly charming and more a food wine than an aperitif sparkler. (Buy again? Yes, a bottle to spend more time with the wine, ideally alongside some white fish in a light cream sauce.)
MWG March 20th tasting: flight 1 of 7
Greek winery tour: Tetramythos (Achaea)
[Hover over pics to display captions and credits; click to embiggen.]
The first two days of our mini-tour of the Peloponnese took us east to the hot valley floors and cool forested mountains of Arcadia and west to the rolling, Ionian Sea-breezed plain of Elis. The last day was devoted to Achaea, the rugged terrain of the peninsula’s north central coast, and to one of Greece’s most forward-thinking yet underappreciated wineries: Tetramythos.
The Tetramythos estate is located near the village of Ano Diakopto, by car about nine kilometres south of the beachside town of Pounta Trapeza on the Gulf of Corinth. About nine kilometres south and one kilometre up, that is, for the village, the winery and all its vineyards are perched on the side of a ridge that is part of the massive Aroania range, which includes the peninsula’s third-highest peak, the 2,355-metre (7,726-foot) Mount Aroania. In fact, if you continue up the road, you’ll soon arrive at one of Greece’s biggest ski resorts.
Tetramythos was founded by brothers Aristides and Stathios Spanos, both locals. After dabbling in farming, they decided to focus on wine-growing. In 1999, they connected with another local, oenologist Panagiotis Papagiannopoulos, and produced their first bottles of wine. 
In the years that followed, they planted new vineyards, expanding the estate to its current 14 hectares, and constructed the winery buildings, which consist of two handsome stone and stucco structures: a large shoebox-shaped winery and a more visitor-focused building that houses a reception area, a boutique cum (small) wine museum and a banquet/conference room. The windows and decks of the last offer panoramic views of the valley all the way down to the gulf.
The nearby vineyards are located at elevations ranging from around 500 metres to more than 1,000 metres. (Coming from a plot at 1,000 metres, the Sauvignon Blanc may be some of the highest grown anywhere.) The soil is mostly limestone and some of the vines are 80 years old. Most are bush-trained, though a few plots are planted in rows and trained on wires. Roditis, a local pink-skinned grape, is the main white variety, while another local grape, Mavro Kalavrytino, is used for the estate’s flagship red (the town of Kalavryta is another 25 km by car further down, well, up the highway from Ano Diakopto). The other Greek varieties are Malagousia, Muscat Mikrorago, Agiorgitiko and Mavrodaphne. Constituting about 15% of the vineyard, the international varieties (Sauvignon Blanc, Cabernet Sauvignon and Merlot) came with the estate and are not Panagiotis’s favourites but “you work with what you’re given,” he says.
In midsummer, the vineyards – some in terraces, others following the lay of the land – are patches of green in an otherwise tawny landscape. Once covered in pine forests, the mountainsides are now mostly bare, the result of a huge wildfire that raged through the area in July 2007. Among much other damage, the roof of the winery caught fire and the building burned down. Oddly, due to the leaves’ high moisture content, the vineyards didn’t so much burn as act as a buffer. Tetramythos made their 2007s at nearby wineries. The winery building was reconstructed in less than a year and the 2008s were made on site.
Farming at Tetramythos is organic, which is surprisingly rare in Greece and here is surely facilitated by the climate: dry and sunny during the growing season, with maritime and mountain breezes providing good air circulation and the altitude increasing the day-night temperature spread crucial to maintaining good acidity.
The wine-making facilities are centred around a large, high-ceilinged vat room lined on two and a half sides with tall stainless steel tanks and a wooden vat. A recumbent cylindrical press sits slightly off centre and a bottling line, with a glass wall onto the vat room, is off to one side. Underground are found a barrel cellar, a bottle-ageing cellar and a private tasting room.
Like the estate, the wines seem both modern and timeless. The wine-making is mostly non-interventionist. With one exception (the Roditis Orange Nature PDO Patras Reserve), all the grapes are destemmed. Only free-run juice is used for the wines, which are usually fermented with the natural yeasts found on the grapes and in the winery environment; very occasionally – and then only to restart a stopped natural fermentation – are the musts inoculated with selected yeasts.
Though we tasted only one of them, “natural,” no-added-sulphur versions of many of their wines are now being made. Unfortunately, none of them is available in Quebec. Fortunately, that is about to change: the 2018 Muscat Sec Nature, Roditis Nature, Roditis Orange Nature and Retsina Amphora Nature as well as the 2018 Retsina and 2016 Sauvignon Blanc “Miliá” are slated to appear on the SAQ’s shelves soon (you heard it here first, folks).
Annual production currently hovers around 200,000 bottles. Considerably more than half is exported, with Quebec being a major market and alone buying more than three-quarters of the regular Roditis bottling.
Before going over, I’d wondered about the winery’s name. “Four myths” maybe? But if so, which? None actually. Tetramythos is the name of a local wild pear tree with small, bitter fruit. “Only my grandmother would eat it and only when it was so ripe it started turning mouldy,” Panagiotis explained. The Spanos brothers don’t speak English, so our ability to converse with them was limited (yet another reason to learn Greek!). Panagiotis, however, is fluent, and interacting with him was a highlight of the trip. Grounded yet a bit cosmic, he is soft-spoken and reserved, not florid, but also focused and frank, radiating integrity and inner-strength.
Why do I say Tetramythos is underappreciated? Well, here we have a groundbreaking organic, increasingly natural estate making characterful, terroir-driven and super-drinkable high-QPR wines mostly from native grapes. And, yet, for much of the world, the winery remains one of Greece’s best-kept secrets. Luckily, due to the wines’ quality, authenticity and affordability and to the legwork of oenopole’s sales team, Quebec is one of the few places where it isn’t. We should count our blessings.
You’ll find my tasting notes on all the Tetramythos wines we tasted after the jump. For details about where we stayed, where and what we ate and what we saw, including the Tetramythos vineyards, see the Day Four report on carswelliana.
INTRODUCTION
PAPAGIANNAKOS (ATTICA)
TSELEPOS (ARCADIA)
MERCOURI (ELIS)
♦ TETRAMYTHOS (ACHAEA)
THYMIOPOULOS (MACEDONIA)
ARGYROS (SANTORINI)
Orange line
The Mo’ Wine Group have been fans of Radikon’s “blue label” orange wines since discovering the Oslavje when it was a private import. All three wines are now carried by the SAQ, albeit in minute and fast-disappearing quantities. This year, though the 2010s were released on different dates, all three were on the monopoly’s shelves for a few days in late February or early March, giving us our first opportunity to taste them side by side.
The wine-making is the same for all three cuvées. The manually harvested grapes are destemmed, then placed in neutral Slavonian oak vats (no temperature control) for maceration and fermentation with indigenous yeasts and manual punch-downs three or four times a day. When alcoholic fermentation is complete, the vats are topped up and closed until the wine has been in contact with the skins for two to three months. The grapes are then gently pressed and the wine is racked into neutral 25- to 35-hectolitre Slavonian oak barrels for about 40 months’ maturation, with further racking performed as needed. The wines are bottled unfiltered, unfined and with no added sulphur and aged another six months in bottle before release.
The bottles are 500 ml because the late Stanko Radkion felt that is the ideal amount of wine for one person to drink by himself or for two people to share, assuming they’ll also share a 500 ml bottle of red. Convinced that using a standard cork would allow too high a rate of oxygen exchange, he designed his bottles to have smaller bore necks and long, narrow corks. Long corks usually indicate that a wine is age-worthy and, in fact, the ageing potential of these wines is not in doubt: opened last year, a bottle of the 2002 seemed at or near peak and likely to remain so for another 10 years.
Venezia Giulia 2010, Jakot, Radikon ($44.25/500 ml, 13571312)
100% Friulano (formerly known as Tocai Friulano, as referenced by the cuvée’s name, which is Tokaj – the Hungarian spelling – spelled backwards) from organically farmed vines. 13.75% ABV. Quebec agent: oenopole.
Lovely, wafting nose that elicits several unexpected fruit descriptors, including “preserved plum,” freeze-dried strawberries and “peach Melba.” Swirling and time bring out savoury aromas, including yellow spice (turmeric, saffron), beeswax and old wood, and a hint of oxidation. Quite substantial on the palate. Zingy acidity pushes the fruit into citrus territory (kumquat, maybe?), while light tannins dance across the palate. Mineral and savoury threads intertwine with the fruit and last well into the long finish. A dense yet cutting wine with great focus: intense and exciting now but sublime in 10 years. (Buy again? Def.)
Venezia Giulia 2010, Oslavje, Radikon ($44.25/500 ml, 13571283)
A blend of Chardonnay (40%), Sauvignon Blanc (30%) and Pinot Grigio (30%) from organically farmed vines. Quebec agent: oenopole.
Complex, engaging nose of honey, “cedar,” “anisette,” pear compote, sultanas and a jasmine-like floral note. In the mouth, it’s rich and smooth, verging on opulent, despite the underlying acidity and tannic rasp. The flavours are less fruity, more savoury than those of its flightmates, with old wood and minerals providing ballast. Spice, dried fruit, an almond note and a faint bitterness linger. Approachable if a bit monolithic, this will benefit enormously from extended cellaring. (Buy again? Def.)
Venezia Giulia 2010, Ribolla Gialla, Radikon ($44.25/500 ml, 13555953)
100% Ribolla Gialla from organically farmed vines. 13.75% ABV. Quebec agent: oenopole.
At this stage, the most complex bouquet of the three: dried clementine, floor wax, straw and cedar, among other things. Dense, somewhat waxy texture. Subtle tannins provide grain, piercing acidity freshness. A surprising creamy streak marks it out from its companions. Spice and minerals linger. Breadth and length it has in spades; greater depth and complexity will come with time. Astoundingly pure and savoury and nowhere near its prime. (Buy again? Def.)
MWG March 9th tasting: flight 5 of 5
Austro-Hungarian fizz
Somló 2017, Foam, Meinklang ($23.75, private import, 12 bottles/case)
An unclarified ancestral method sparkler, meaning the wine is still on its lees and a bit hazy as a result. Blend of Hárslevelü (60%) and Juhfark (40%) from biodynamically farmed 35- to 60-year-old vines grown at Meinklang’s estate at the base of the long-extinct Somló volcano in western Hungary. Spontaneous first fermentation in stainless steel tanks. No temperature control, fining, filtering or added sulphur. Crown-capped. Residual sugar: 4 g/l. 10.5% ABV. Quebec agent: La QV.
Complex, savoury nose of lemon, wax, lees and hints of brett and sweat. Fine bubbles. Cidery, minerally, tart and longish in the mouth. The flavours are hazier than – not as precise as – the Prosa’s, not that there’s anything wrong with that. This fresh and fun sparkler reminds me of some of the natural Proseccos we’ve tried and seems purpose-built for a summer day. The winery’s suggested food pairings of leek and goat cheese quiche and smoked eel sound right on target. (Buy again? Yep.)
Österreich 2017, Prosa, Meinklang ($23.75, private import, 6 bottles/case)
Another ancestral method sparkler, but this time 100% Pinot Noir from biodynamically farmed wines grown in Meinklang’s east Austrian estate. Spontaneous first fermentation in stainless steel tanks. Unfined but filtered. Residual sugar: 14 g/l. 10.5% ABV. Quebec agent: La QV.
Minerally nose of crushed cherries and more than a slight hint of boudoir. Fine bubbles. Clean, fresh and bright in the mouth. There’s a touch of residual sugar (a bit more than in earlier vintages, if memory serves) though it’s in no way cloying and may be attributable to our bottle being a little warm. “Strawberry-rhubarb,” including the rhubarb’s acidic tang and streak of green, dominate the mid-palate. An almond note lingers. If you like Bugey-Cerdon, you’ll probably like this. Works as a summer sipper, an aperitif and as an accompaniment to not-too-sweet strawberry desserts (berries on vanilla ice cream drizzled with basil syrup? hmm.). (Buy again? Sure.)
MWG March 9th tasting: flight 1 of 5
Related by marriage
A historian by training, Grégory Leclerc did stints as a journalist and marketer before falling into the world of natural wine-making. He purchased his four-hectare estate – downsized from the original 6.5 hectares, named Chahut et Prodiges and located in Chargé in the hills near Amboise in the Tourraine – in 2007. He farms organically and makes wines from Chenin Blanc, Sauvignon Blanc, Gamay, Côt and Grolleau. The land is worked using a tractor, though Leclerc says he may switch to horses at some point. Harvesting is manual. Vinification of the reds involves placing the whole clusters in concrete tanks for two to three weeks with no punch-downs or pump-overs – a form of carbonic maceration, what? Pressing is slow and gentle. The wines are unfined and lightly filtered. No sulphur is added to the reds; a tiny amount is added to the whites at bottling.
Anne Paillet, the owner-winemaker of Autour de l’Anne, is married to Greg Leclerc. In 2010, she decided to abandon her corporate career and become a natural winemaker. Wanting to make wines different from her husband’s, she has leased 2.5 hectares of biodynamically farmed vines from Languedoc winemaker Christophe Beau (Domaine Beauthorey in the Pic Saint-Loup region). Harvesting is manual and the grapes are vinified naturally, in concrete tanks with no added anything, in the Languedoc. Wanting to make wines different from your everyday Languedocs, she transports the just-fermented juice to Leclerc’s cellars in the Loire for malolactic fermentation, maturation, blending and bottling with no fining, filtering or added sulphur.
Vin de France 2014, La Mule, Domaine Chahut et Prodiges ($28.74, private import, 12 bottles/case)
100% Gamay from 25- to 30-year-old vines grown on clay and limestone. Matured around nine months in fibreglass tanks. 12% ABV. Quebec agent: Deux Caves.
Funky nose whose many facets include somewhat candied red berries, “forest floor” and burned minerals. Medium-bodied and richly textured: a mouthful of ripe fruit, deep minerals, smooth acidity and wiry yet pliable tannins. Spice and a hint of jalapeño linger. So energetic and so easy to drink – the kind of wine that can make Gamay skeptics reconsider their aversion. (Buy again? Def.)
Vin de France 2014, Les Têtes Noires, Domaine Chahut et Prodigues ($28.74, private import, 12 bottles/case)
100% Côt (aka Malbec). 11% ABV. Matured in neutral barrels. Quebec agent: Deux Caves.
Plummier nose complicated by aromas of turned earth and crushed foliage. Medium-bodied, smooth, dry, fluid and long, though not particularly deep. The pure fruit, supple tannins and sleek acidity are in perfect balance. Simple but pleasurable. (Buy again? Yes.)
Vin de France 2015, Pot d’Anne, Autour de l’Anne ($30.47, private import, 6 bottles/case)
The cuvée’s name, which translates as “Anne’s pot,” is a homonym of peau d’âne (donkey skin). 100% Cinsault from 22-year-old vines grown on limestone and red clay. Half the grapes are destemmed, the other half left as whole clusters. Semi-carbonic maceration lasts 12 days. Maturation lasts 12 months. 12% ABV. Quebec agent: Deux Caves.
Plum, dark minerals, spice and, yes, a hint of animal hide. Medium-bodied. The faint spritz on opening disappears moments after pouring. Dried herb notes give the ripe fruit a savoury character. Enlightening acidity and fine tannins provide just enough structure. Long. Northern in weight, southern in savour. High quaffability quotient. (Buy again? Yes.)
MWG February 22nd tasting: flight 4 of 5
Les élixirs de Xavier
The Mo’ Wine Group’s second February tasting was led by agent Max Campbell and devoted to private imports represented in Quebec by Deux Caves, one of which caves Max is. We began with three wines from an under-the-radar artisanal vintner whose wines had impressed us back in 2015.
In 2010, Xavier Marchais abandoned his career as a computer engineer and moved to Faye-d’Anjou to begin life as a winemaker. His four hectares of vines (half Chenin, half Cabernet Franc) are farmed biodynamically using a horse and manual labour. Pesticides, herbicides, fertilizers and other synthetic products are systematically avoided. The wine-making is non-interventionist. For the Elixir cuvées, fermentation (with indigenous yeasts) and maturation take place in used barriques. Cellar techniques are pretty much limited to crushing and punching down by foot, manual pressing and racking. No sugar or sulphur are added. The unfiltered and unfined wines are bottled by hand and closed with a crown cap (the still red’s cap reportedly allows more oxygen exchange than the still white’s).
Vin de France 2015, L’Élixir de Jouvence, Xavier Marchais ($32.77, private import, 6 bottles/case)
100% Chenin Blanc grown on schist. Matured 12 months. Crown-capped. 13% ABV. Quebec agent: Deux Caves.
Engaging nose of straw, dried stone fruit, citrus peel and wax. Medium-bodied but full of fruity extract, not to mention a ton of minerals. The acidity is very present. While there’s some depth, this is above all a fresh and unpretentious expression of juicy Chenin goodness. Totally lacks the rebarbative reduction found in the 2013, which Marchais reportedly now attributes to not having realized that the wine hadn’t finished malolactic fermentation when he bottled it, meaning fermentation continued in reductive conditions (which would also explain that wine’s faint fizz). (Buy again? Yes.)
Vin de France, L’Élixir de Longue-Vie, Xavier Marchais ($29.32, private import, 6 bottles/case)
100% Cabernet Franc grown on schist and spilite. Matured 12 months. Crown-capped. 12% ABV. Quebec agent: Deux Caves.
Exuberant, green-free nose of dusty hard red candy (raspberry, cherry, currant), sandalwood, slate and herbs. Gains a floral note. Both fresh and drying in the mouth. No more than medium-bodied. The pure fruit is quite structured, with wiry tannins and fluent acidity found throughout. A minerally and earthy streak comes to the fore (or, as one taster put it, “there’s this long rooty thing in the middle of the palate”) but the finish is long and clean. A classic easy-drinking Cab Franc. (Buy again? Def.)
Vin de France 2015, L’Élixir Onirique, Xavier Marchais ($33.06, private import, 6 bottles/case)
A red pet-nat (ancestral method sparkler) of Grolleau (70%) and Cabernet Franc (30%). Matured 12 months in barrel, six month in bottle. No dosage (the residual sugar remaining in the bottled wine ferments, producing the carbon dioxide that sparkles the wine). 12.5% ABV. Quebec agent: Deux Caves.
“Cherry cough drops” and “dried violets,” to quote two other tasters. Fine bubbles. Fruity, minerally and yeasty. Not particularly deep but more structured than you might expect, with framing tannins and an almost souring acidity. The sweet-tart finish draws you back for another sip. Vin plaisir, anyone? (Buy again? Yep.)
MWG February 22nd tasting: flight 1 of 5
Garage music
Vermont 2016, House Music, La Garagista ($42.25, private import, 6 bottles/case)
An ancestral method red sparkler made from a field blend of Marquette, Saint Croix, La Crescent, Frontenac Gris, Frontenac Blanc, and Frontenac Noir. Co-fermented with indigenous yeasts. Unfiltered and unfined. No added sulphur. 11.5% ABV. Quebec agent: Les Vins Dame-Jeanne.
Protean nose of red berries (and “blueberry pie” per one taster), earth, “good canola,” shoe cream and a not unattractive whiff of barnyard. Lightly fizzy and dry, smooth and fleet. The fruit is sweet-tart, the acidity bright, the slender tannins relegated to the background. A slatey vein extends into the lip-smacking finish. Fresh, juicy and well-neigh irresistible. (Buy again? Def.)
Vermont 2015, Damejeanne, La Garagista ($42.54, private import, 6 bottles/case)
Damejeannes are better known in English as demijohns or carboys, the glass vessels most of La Garagista’s wines are fermented and sometimes matured in. This is a blend of Marquette (90%) and La Crescent (10%). Fermented on the skins with indigenous yeasts, matured one year. Unfiltered and unfined. No added sulphur. 12.5% ABV. Quebec agent: Les Vins Dame-Jeanne.
Wild red berries including cranberry, earthy notes of slate and beet, spice, an evanescent touch of volatile acidity and an orange-almond note reminiscent of the Vinu Jancu. Denser and rounder than its flightmate, a mouthful of sweet and sour-edged fruit that has me thinking of pomegranates, cherries and red plums, among other things. A mineral base provides foundation for a structure of lightly raspy acid and supple if sinewy tannins tannins. Long, clean, tart finish. (Buy again? Yep.)
Whatever else the assembled tasters thought about the La Garagista wines, everyone agreed they had an energy and a vibrancy – a closeness to the fruit and terroir – that are rare for any wine, let alone ones made from hybrid grapes grown in a harsh climate. The buzz around the table in the tasting room and the Vins Dame-Jeanne booth at the Salon des Quilles was palpable. People, myself included, were stoked about the wines themselves but also about realizing that truly exciting wines unlike any others can be made in our part of the world. Quebec vintners should take note.
Mo’ Wine Group November 23rd tasting: flight 5 of 6
Dufaitre trio
Based in Saint-Étienne-des-Oullières, Laurence and Rémi Dufaitre began working their first hectare of vines in 2001, initially selling the fruit to the local co-op. They started making wine and bottling it under their own label in 2010. Today their holdings, which include the former Domaine de Botheland, total around 12 hectares, one of which is planted to Chardonnay. Inspired by Jules Chauvet and his disciples, especially Jean Foillard, the Dufaitres use organically farmed grapes that undergo carbonic maceration and are given long, naturally low-temperature fermentations with indigenous yeasts. Chaptalization, filtering and fining are strictly avoided. When used, sulphur dioxide is kept to a minimum.
Beaujolais Villages 2016, Prémices, Laurence et Rémi Dufaitre ($28.40, private import, 12 bottles/case)
100% Gamay from 35-year-old vines grown in the granite, sand and gravel soil of a plot named Prémices. Carbonic maceration lasted 16 days. Fermented and matured in concrete tanks. No added sulphur. Bottled in February 2017. 13% ABV. Quebec agent: oenopole.
Cherry, red berries and vine sap with background slate and ink. Fresh and light on the palate, with lovely ripe fruit, bright acidity and light, caressing tannins. Ripe-sweet upfront, drying on the long, savoury, spicy finish with its lingering hint of stem. Straightforward but far from simple, a wine of great purity and finesse. A second encounter, a bottle drunk on its own at dinner, impressed me even more; tasting double-blind and fooled by its raspberry-leaning fruit and peppery spice, I guessed it was carbonic-macerated Grenache. (Buy again? Definitely.)
Brouilly 2016, Laurence et Rémi Dufaitre ($34.75, private import, 12 bottles/case)
100% Gamay from 60- to 65-year-old vines rooted in granite and volcanic soil. Carbonic maceration lasted 18 days. Fermented in concrete tanks. Matured in old 200-litre oak barrels. Bottled in March 2017. 12.5% ABV. Quebec agent: oenopole.
Earthy nose, the fruit overtoned with old wood, spice and a hint of barnyard. In the mouth, the wine is a bit more intense – a bit less vin plaisir – than the Prémices though still on the lighter side of medium-bodied. Veils of fruit, great minerality, buoyant acidity and light tannins hold the attention. As Theo notes, there’s a lovely “clarity [that] comes in the middle of the mouth.” The longest of the three. (Buy again? Yes, though not necessarily in preference to the Côte de Brouilly.)
Côte de Brouilly 2016, Laurence et Rémi Dufaitre ($36.50, private import, 12 bottles/case)
100% Gamay from 50- to 70-year-old vines rooted in granite and volcanic soil. Carbonic maceration lasted 18 days. Fermented in concrete tanks. Matured in used Burgundy barrels. Bottled in March 2017, a month earlier than usual. 12.5% ABV. Quebec agent: oenopole.
A nose similar to the Brouilly’s but deeper, more complex and savoury, with mushroom creeping in and the spice taking on Asian overtones. A medium-bodied mouthful of rich yet crunchy fruit and slate. Finely structured by sleek acidity and supple yet resilient tannins. So pure and elegant, this complete and balanced wine is delicious now but has the wherewithal to age for several years. (Buy again? Yes.)
MWG November 10th tasting: flight 3 of 5
Brett happens 