Posts Tagged ‘No added sulphur’
Morgon, Morgon, not Morgon
Morgon 2014, Côte de Py, Jean Foillard ($41.09, private import, 12 b/c)
100% Gamay from organically farmed vines between ten and 90 years old and grown in manganese-rich schist and granite. Manually harvested. Whole-cluster fermentation lasts three to four weeks. Matured six to nine moths in used oak barrels. No additives of any kind during the wine-making. Unfiltered and unfined. A minimal amount of sulphur dioxide may be added at bottling. 12.5% ABV. Quebec agent: Rézin.
Aromatic, very Gamay nose: slate, “dried leaves” (per another taster), floral notes and a whiff of earthy funkiness along with the expected red berries. Medium-bodied and satin-textured. A touch of sweet red chile savouries the lush fruit. The frame of light tannins, the illuminating acidity and a vein of dark minerals run from start through the nicely sustained finish. Accessible if somewhat monolithic at this stage, it showed best at the end of the tasting, four hours after it was opened and double-decanted. A couple of years or more in the cellar will do a world of good. (Buy again? Done!)
Morgon 2014, Cuvée Corcelette, Jean Foillard ($38.75, 12201643)
100% Gamay from organically farmed vines averaging 80 years old and grown in sandstone soil. Manually harvested. Whole-cluster fermentation lasts three to four weeks. Matured six to nine moths in used oak barrels and a single 30-hl foudre. No additives of any kind during the wine-making. Unfiltered and unfined. A minimal amount of sulphur dioxide may be added at bottling. Reducing sugar: less than 1.2 g/l. Quebec agent: Rézin.
Nose of red berries, faint spice, horse/leather: similar to the Côte de Py though a shade less complex, outgoing and airy. So fresh, pure, savoury and delicious. Ripe fruit, good structure and length, with the minerals most prominent on the finish. Perhaps a little less dense, more rustic and more open than its sibling though also sure to benefit from being left unopened for a year or three. Is there a better Beaujolais at the SAQ? (Buy again? Yes.)
After we’d finished with the Foillards, one of tasters generously offered to open a new arrival he had purchased on his way to the tasting room. I wondered whether its coming after two top Morgons might show it to disadvantage but I needn’t have worried.
Vin de France 2015, Le P’tit Poquelin, Maison B. Perraud ($22.70, 12517998)
100% Gamay from biodynamically farmed 40-year-old vines. Manually harvested. The whole clusters undergo carbonic maceration for 12 days. No additives, including sulphur. Unfiltered and unfined. Reducing sugar: 1.3 g/l. 13% ABV. Quebec agent: Raisonnance.
Appealing nose: floral, slate, berries, sap. A bit of spritz on the palate (carafe the wine for hour an hour if that sort of thing bothers you). On the lighter side of medium-bodied. The sweet fruit has a sour edge and is lightly structured by fine, supple tannins and glowing acidity. Sappy, lip-smacking finish. An easy-drinker with real presence. What it lacks in dimensionality and class compared with the Foillards, it makes up for in immediate appeal. The most successful of the three vintages of this wine that I’ve tasted. (Buy again? Yes.)
MWG October 27, 2016, tasting: flight 5 of 7
Thinking globally, drinking locally
The MWG’s early March tasting was led by the irrepressible Steve Beauséjour, who daylights as a sales rep of Rézin. To say he outdid himself would be an understatement.
We got things rolling with a stupendous dry white served double-blind from a labelless bottle.
The bouquet is a kaleidoscope of seashells, citrus, oats, limestone, bread, a hint of nuts and more. On the palate, it’s a mouth-watering mix of saline minerals, restrained fruit and trenchant acidity, dazzlingly pure and so dry, especially on the long finish. As bracing and engaging a white as I’ve encountered in a coon’s age.
I happened to be sitting next to two French expats, both of them Loire lovers, and all three of us had the same initial reaction: a faintly oxidized Chenin Blanc from a top Loire producer. As we spent more time with the wine and listened to Steve, doubts began to creep in. “Un chablis peut-être,” hazarded one of the français. Other tasters guessed the Jura, Italy, Austria and South Africa. All were shot down.
“Maybe it’s from Laval,” quipped a taster, throwing up his hands. (Île Jésus’s improbable Château Taillefer-Lafon has become something of a meme for the group.)
“You’re getting warm,” said Steve to the astonishment of everyone.
The wine? A special bottling of Québec 2014, Chardonnay, Les Rosiers, Les Pervenches, the regular bottling of which retailed for $25 during the few weeks it was available. This 100% Chardonnay is made from fruit from organically and biodynamically farmed vines grown near Farnham. The grapes are manually harvested and sorted, vinified naturally (indigenous yeasts, no additives, minimal intervention) and matured in casks. The 24 bottles of this special bottling were filled with wine drawn directly from the cask after one year’s maturation. In contrast to the regular cuvée, the wine is unfined, unfiltered and unsulphured.
If I’ve tasted a better Canadian Chardonnay, I don’t recall it. Truly world-class.
MWG March 12th tasting: flight 1 of 7
L’autour d’Anne Paillet
Anne Paillet is married to Greg Leclerc. In 2010, she decided to abandon her corporate career and become a natural winemaker. Wanting to make wines different from Leclerc’s, she has leased 2.5 hectares of biodynamically farmed vines from Languedoc winemaker Christophe Beau (Domaine Beauthorey in the Pic Saint-Loup region). Harvesting is manual and the grapes are vinified naturally, in concrete tanks with no added anything, in the Languedoc. Wanting to make wines different from your everyday Languedocs, she transports the just-fermented juice to Leclerc’s cellars in the Loire for malolactic fermentation, maturation, blending and bottling with no fining, filtering or added sulphur.
Depending on the date on which the wine leaves the Languedoc, it is labelled Coteaux du Languedoc or Vin de France. To avoid red tape and confusion, Paillet is reportedly planning to opt exclusively for the Vin de France designation in future vintages.
Coteaux du Languedoc 2013, C.S.G., Autour de l’Anne ($27.71, private import, 12 bottles/case)
Syrah and Grenache with a little Cinsault thrown in. The 40- to 60-yar-old vines are rooted in limestone and red clay. The grapes are vinified separately in tanks, with alcoholic fermentation typically lasting 12 to 14 days. Maturation in concrete tanks lasts 12 months. 13% ABV. Quebec agent: Deux Caves.
Engaging nose of red and black fruit with hints of spice and faint burnt rubber. Medium-bodied, dry and savoury, with clean fruit and bright acidity. Fundamentally fluid and supple though not lacking tannic grit. The finish is long and minerally. As Loire-ish and it is Languedoc-ish, this is a wonderfully drinkable wine. What’s more, a few bottles remain available. (Buy again? Done!)
Coteaux du Languedoc 2013, Pot d’Anne, Autour de l’Anne ($55.47/1500 ml, private import, 6 bottles/case, NLA)
The cuvée’s name, which translates as “Anne’s pot,” is a homonym of peau d’âne (donkey skin). 100% Cinsault from 20-year-old vines grown on limestone and red clay. Half the grapes are destemmed, the other half left as whole clusters. Semi-carbonic maceration in concrete tanks lasts 12 days. Maturation in concrete tanks lasts 12 months. 12.5% ABV. Quebec agent: Deux Caves.
Pretty, perfumy nose of red and black fruit, including berries, overtoned with flowers, sawed wood and spice. Barely medium-bodied. The lightly juicy fruit is fresh and fluid, structured by supple tannins. Finishes long and clean. So, so drinkable. (Buy again? Moot but yes.)
At the second tasting, someone asked why the wines were so Loire-like. Could the fact that they were fermented with native yeasts explain it? Probably not, as the wines didn’t leave the Languedoc until alcoholic fermentation was completed. On the other hand, malolactic fermentation took place in the Loire, so indigenous bacteria could be a factor (though wouldn’t the wines also bring some Languedoc microflora with them?). To my mind, Max Campbell’s theory that the difference is due to the cooler temperatures of the Loire cellars seems more realistic.
♦
As mentioned earlier, both tastings were followed by a light meal of salads, charcuterie and cheese. As the tail ends of the Deux Caves bottles were insufficient to slake the collective thirst, a few other wines were uncorked (gratitude to all who supplied them). I stopped taking notes at that point but wanted to mention four in passing.
Damien Coquelet’s Beaujolais-Villages “Fou du Beaujo” has long been a Mo’ Wine Group favourite. At the second tasting, the 2012 ($22.43, private import, La QV/Insolite, NLA) and 2014 ($19.20, 12604080) were served side by side. The 2012 was a thing of beauty: vibrant, fruity, sappy, fluid, lip-smacking. The 2014 seemed a little harder and less smiling, though whether that’s a function of the vintage, the age, this particular bottle or the filtering and/or sulphuring possibly required by the SAQ is anybody’s guess.
The Valle del Maule 2014, Pipeño, Collection Rézin, Louis-Antoine Luyt ($18.15, 12511887) is a lovable, natural Chilean wine made entirely using purchased País grapes from organcially farmed vines about a century and a half old. (Luyt buys the grapes – at fair trade prices – from his pickers, one of whose photograph appears on the label.) Fragrant and fruity, ripe and juicy, light and fresh, with frisky acidity, very soft tannins, a disarming rusticity and a quaffability quotient that’s off the charts. I’ve drunk more of this wine than any other this year and it was interesting to hear others who were just discovering it planning to buy cases the next time it rolls around.
The 2001 Château Coutet is a classic Barsac that’s showing beautifully. Rich but not heavy (good acidity), sweet but not saccharine. The complex flavours and aromatics are dominated by stone fruit and botrytis. The finish lasts for minutes. A deluxe end to a most enjoyable evening.
MWG September 27th tastings: flight 3 of 3
♦
Lastly, here’s a link to another, much less tardy report on the tasting – one from which some of the earlier-cited technical information about Xavier Marchais comes – that was posted on the Quebec-based wine discussion board Fou du vin by a new and welcome addition to the Mo’ Wine Group. Du beau travail, Raisin Breton !
Le gros lot de Greg Leclerc
A historian by training, Grégory Leclerc did stints as a journalist and marketer before falling into the world of natural wine-making. He purchased his four-hectare estate – downsized from the original 6.5 hectares, named Chahut et Prodiges and located in Chargé in the hills near Amboise in the Tourraine – in 2007. He farms organically and makes wines from Chenin Blanc, Sauvignon Blanc, Gamay, Côt and Grolleau. The land is worked using a tractor, though Leclerc says he may switch to horses at some point. Harvesting is manual. Vinification of the reds involves placing the whole clusters in concrete tanks for two to three weeks with no added sulphur and no punch-downs or pump-overs – a form of carbonic maceration, what? Pressing is slow and gentle. The wines are unfined and lightly filtered. No sulphur is added to the reds; a tiny amount is added to the whites at bottling.
Vin de France 2013, Le Coup de Canon, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case, NLA)
100% Grolleau from 60-year-old vines grown on clay and flint. Matured around nine months in fibreglass tanks. 11% ABV. Quebec agent: Deux Caves.
Lovely nose of Swedish berries, sandalwood, green earth and clean horse stable. Light-bodied and dry. The tart fruit is set on slate. Barely tannic with a silky texture and clean finish. The bottle at the second tasting showed even brighter and cheerier than the one at the first. Simple and appealing, as wines made from this variety should be. A vin plaisir that goes really well with charcuterie. (Buy again? Done!)
Vin de France 2013, La Meule, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case, NLA)
100% Gamay from 25- to 30-year-old vines grown on clay and limestone. Matured around nine months in fibreglass tanks. 11% ABV. Quebec agent: Deux Caves.
Sour red berries, smelling a bit candied, with gamy, slate and pastry overtones. Wonderfully pure, tart and juicy fruit, vibrant acidity and lacy tannins. Long, smooth finish. A complete wine that even Beaujolais sceptics might like. If Deux Caves hadn’t been sold out of this, the group would have ordered two or three cases on the spot. (Buy again? If only…)
Vin de France 2013, Les Têtes Noires, Domaine Chahut et Prodiges ($26.87, private import, 12 bottles/case)
100% Côt (aka Malbec). Matured in used barrels. 11% ABV. Quebec agent: Deux Caves.
Darker, meatier nose, the fruit tending to roasted cherries and blackberries with slate and wood notes. Smooth on the palate, due in part to acidity that’s softer than the other Leclerc wines and a tannic structure that’s lighter than expected. Savoury finish though not a lot of follow-through. For me, the wine’s best quality is the purity of its fruit. (Buy again? Done!)
Vin de pays du Val de Loire 2012, Grolleau, Clau De Nell ($40.00, 12411763)
100% Grolleau from biodynamically farmed vines between 60 and 90 years old and grown in silty clay on tufa. Yields were a low 17 hl/ha. Harvested by hand and destemmed. Maceration and fermentation (indigenous yeasts) at 18 to 25°C and involving gentle punch-downs and limited pump-overs lasted 20 days. The grapes were then gently and slowly pressed with a pneumatic press. Half the wine was transferred to fifth-fill French oak casks from Burgundy and half to large vats for maturation on the fine lees, which lasted 12 months. The wine was bottled on a fruit day without filtering or fining. 12% ABV. Quebec agent: Séguin-Robillard.
Raspberry-green pepper jelly with a hint of sawed wood. Extracted and dense bordering on heavy. Oddly, given the avoidance of new barrels, the oak treatment seemed a little too lavish and obvious for such a modest grape variety (and I wasn’t the only one to complain of such). Combine that with relatively low acidity and you have a lethargic wine, albeit one with a certain hefty presence. Bottom line: it’s a wine that tries to hard, that gives itself airs. Tellingly, the wine was served double-blind and no one guessed it was made from the same grape as the archetypal Coup de Canon. A few years in the cellar may improve things but who knows? While I’ve enjoyed earlier vintages, this is not what I’m looking for in a Grolleau. (Buy again? Nope.)
Mo’ Wine Group September 27th tastings: flight 2 of 3
Les elixirs de Xavier Marchais
In late September, the Mo’ Wine Group initiated what we hope will be a near-monthly series of agency tastings, at which a representative from one of Quebec’s many wine agencies presents a selection of wines, usually private imports, from the agency’s portfolio.
Kicking off the series was one of the newest kids on the block, Deux Caves. (The agency’s name is a play on words, une cave being a cellar in French and un cave being a dumbass, an incompetent, a sucker.) The cave leading the tasting was Max Campbell, who earns an actual living pouring wine, serving tables and shucking oysters at Joe Beef and Vin Papillon; the other cave, Alexander Campbell (no relation to Max) is a Montrealer currently based in Dijon, where he’s studying oenology.
Deux Caves’s portfolio may be small for now but their focus is already clear: ultra-drinkable natural wines. In other words, right up the MWG’s alley, which is part of the reason why demand for seats at the tasting was so high that we ended up holding two sessions back to back (the promise of food, including a dish from Vin Papillon, may also have had something to do with it).
♦
We began with a white and a red from Xavier Marchais, a young winemaker based in the Anjou region. His four hectares of vines (half Chenin, half Cabernet Franc) are farmed biodynamically using a horse and manual labour. Pesticides, herbicides and other synthetic products are systematically avoided. Wine-making is non-interventionist. For the two Elixir cuvées, fermentation (with indigenous yeasts, naturally) and maturation take place in used barriques. Cellar techniques are pretty much limited to crushing and punching down by foot, manual pressing and racking. No sugar or sulphur are added. The unfiltered and unfined wines are bottled by hand and closed with a crown cap (the red’s cap reportedly allows more oxygen exchange than the white’s, which may partially explain the white’s reductive side).
Vin de France 2013, L’Elixir de Jouvence, Xavier Marchais ($28.54, private import, 12 bottles/case, NLA)
100% Chenin Blanc grown on schist. Yields in 2012 were an incredibly low 13 hl/ha (probably similar in 2013). Matured 12 months. Crown-capped. 11.5% ABV. Quebec agent: Deux Caves.
Reductive aromas on the nose and a faint spritz on the palate; carafing the wine well in advance helped to eliminate both. Engaging nose of wax, quince, lemon, minerals, honey, honeysuckle and straw/hay. Coming across as very close to the juice in the mouth. Dry, though, with zingy acidity, ethereal fruit, lots of minerals and a good, clean, tart finish. Light but vibrant and mouth-filling. The winemaker says this is young and more reduced than in other vintages. He also foresees a long life for it, predicting that the acidity will decease while the wine will become rounder and more aromatically complex. In the meantime, he suggests carafing it “violently.” (Buy again? In multiples.)
Vin de France 2013, L’Elixir de Longue Vie, Xavier Marchais ($26.87, private import, 12 bottles/case, NLA)
100% Cabernet Franc grown on schist and spilite. Yields in 2012 were 27 hl/ha (probably similar in 2013). Crown-capped. 11% ABV. Quebec agent: Deux Caves.
Exuberant nose of red fruit with floral, spice and incense overtones but no green pepper. Less exuberant than expected on the palate. Medium-bodied and satin-textured. Very dry, again with ethereal fruit. The acidity is bright and the tannins soft. A streak of slate runs throughout and is joined by spice on the long finish. The bottle at the second tasting was mushroomier than the first. The group’s resident Cab Franc hater actually enjoyed this enough to buy a couple of bottles. (Buy again? Yes.)
Mo’ Wine Group September 27th tastings: flight 1 of 3
Going live
Vin de France 2014, Y’a bon the canon, Anne et Jean-François Ganevat ($28.35, 12624152)
Organically farmed Gamay (reportedly from Château de Grand Pré in the Beaujolais) blended with smaller amounts of old indigenous varieties from Ganevat’s vineyards in the Jura (Petit Béclan, Gros Béclan, Geusche, Argant, Peurion, Portugais Bleu, Isabelle, Enfariné and maybe others). Manually harvested. Nautral vinification. Unfiltered. Unfined. No added sulphur. Reducing sugar: 2.8 g/l. 13% ABV. Quebec agent: Rézin.
Rich, glowing red, deeper than expected. Fragrant nose of red berries – especially cranberry – and pine forest floor, eventually developing pepper, slate and beef larb aromatics. In the piehole, it’s supple, light- to medium-bodied and a little spritzy, a tart and juicy mouthful with great fruit-acid balance. Relegated to the background, the slim tannins are most obvious as a lingering, faintly bitter astringency. The long, lip-smacking finish leaves a cedary aftertaste. So fresh, so alive, so food-friendly (grilled pork with fresh herbs or roast chicken with same would be killer). Drink lightly chilled. In an ideal world, this would be $5 cheaper but, then again, it’s a compulsively drinkable natural wine from a cult producer and the exchange rate is punishing these days. (Buy again? Imperatively.)
SAQ.com shows this as unavailable but I bought mine at one of the larger Sélection stores yesterday afternoon (the clerk went to the back room and pulled the bottle out of a case still on the delivery pallet). Note that there’s not a lot around and it’s certain to disappear fast.
Two other noteworthy wines are also going live this week. First, one of the MWG’s favourite private imports is premiering at the SAQ: Côtes du Roussillon 2013, C’est pas la mer à boire, Domaine du Possible ($32.25, 12623088), which, like the Ganevat, is showing as unavailable on SAQ.com but which I purchased yesterday (see here for some background on the winemaker and my tasting note from last November). Second, a restocking of the irresistible Alsace 2011, Trilogie, Domaine Barmès Buecher ($19.95, 12254420).
The SAQ does natural wines – part 1
On April 23, the SAQ came out with its first ever official release of natural wines* (“official” because a few natural wines have made their way onto the monopoly’s shelves in the past, a recent example being the Jean-Michel Stephan Côte-Rôtie that the Mo’ Wine Group swooned over in July). Friends and I had planned to taste through the lineup soon after the release but, for various reasons, the event was postponed until last Friday.
Due to the postponement, most of the wines are – like my free time – now in short supply, so it hardly seems worthwhile to give them the full Brett Happens treatment. Yet the release is a milestone of sorts for the SAQ and for local lovers of natural wines, one that shouldn’t go unremarked. What’s more, the tasting left me with a few thoughts about the operation and the future of such wines at the SAQ. My solution is a set of quick notes followed by a comment or two.
Of the eight wines in the release, two – a Chardonnay and a Syrah made by Gérard Bertrand – were either new vintages or restockings of unmemorable wines that the SAQ started carrying a few months ago. We focused on the other six and on a mystery wine served at the end.
The 100% Gamay, near-Beaujolais Vin de France 2013, Le P’tit Poquelin, Maison B. Perraud ($21.75, 12517998) smells of jujubes and spice with unmistakable meat and soy sauce notes. While the wine is fruity, it’s also very dry, especially on the extremely short, black pepper-scented finish. What structure there is comes from acidity, not tannins. The bottom line? To riff off Gertrude Stein, there’s not much there there. In fact, I don’t know if I’ve ever encountered a red wine with so little presence. Buy again? No.
Another 100% Gamay, this time from 50-year-old vines in the Loire valley, the Touraine 2013, Première Vendange, Henry Marionnet ($24.20, 12517875) has a strikingly lactic nose that, when combined with the fruit, has you thinking of raspberry-strawberry yogurt. In the mouth, it’s richer, deeper, plusher-tannined and more minerally than the P’tit Poquelin, and the juicy finish has a lingering astringency. On its own terms, enjoyable enough – though, when you can get excellent Morgons from Brun for the same price and from Foillard for $3 more, the QPR seems way off. Buy again? No.
If you score a bottle of the 100% Cabernet Franc Chinon 2012, Cuvée Beaumont, Épaulé Jeté, Domaine Breton ($22.70, 12517921), be sure to carafe it before serving because on opening the wine has little to say. After breathing for an hour, it suddenly blossoms. The nose gains notes of red fruit, cured meat, forest floor, green sap, sawed wood and spice. The austere, ungiving palate turns rich and expressive: the texture supple, the fruit bone dry but juicy and pure, the acidity singing, the tannins caressing, the finish long and clean. In short, a beaut. Buy again? Definitely.
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*What is a natural wine? According to the Association des vins naturels, the basic principles of natural winemaking are organic or biodynamic farming (not necessarily certified), manual harvesting, fermentation with native yeasts and the avoidance of harsh physical procedures (reverse osmosis, cross-flow filtration, flash pasteurization, thermovinification, etc.) and of additives, including sugar, with an exception being made for small amounts of sulphur dioxide added as a stabilizer at bottling. As a definition, that works for me, though I’d add that many natural winemakers say that their wines are made in the vineyard, not the cellar, that their goal is to add nothing and take nothing away, which leads them to adopt a non-interventionist approach in the cellar and to largely or completely avoid filtering and fining.
The upsides of natural wines include their individuality and a juicy vibrancy that, in the best examples, seems very close to the fruit and terroir. Many also have a rustic appeal – a sense of not taking themselves too seriously – that their more polished and manipulated counterparts lack. Downsides include greater bottle-to-bottle variability, the ever-present possibility of reductive notes on opening, the need to store the bottles at cool temperatures (ideally 14ºC/57ºF or less) and, for some drinkers and some wines, their cloudy appearance and funky bouquets.
SAQ natural wines tasting: post 1 of 3.
Orange is the new white
IGT Emilia 2011, Ageno, La Stoppa ($41.00, 12512046)
Malvasia di Candia Aromatica (60%) with Ortrugo and Trebbiano (for whatever reason, SAQ.com says 60% Malvaisa Nera and 40% Tebbiano) from organically farmed vines averaging 40 years old. Macerated on the skins for 30 days. Fermented with native yeasts. Aged 12 months, 50% in stainless steel vats and 50% in used French oak barrels, followed by another two years in bottle. Unfined. Lightly filtered but no added sulphur. Reducing sugar content: 2.3 g/l. 13.5% ABV. About 10,000 bottles made. Quebec agent: oenopole.
Kaleidoscopic nose redolent of fresh and dried fruit (white, yellow and citrus), spice, flowers and lots more. Equally multifaceted in the mouth. Bone dry. Bright yet weighty, fluid yet chewy. The fruit tends to apricot and is shot through with straw and minerals. Surprisingly tannic especially on the long, bitter-edged finish. Involving and fascinating, though about as far from your basic vin plaisir as a white wine gets. Will surely benefit from a few more years in the bottle. If opening now, carafe it up to a day in advance, serve it at cool room temperature and drink it with food (veal in cream sauce or various cheeses spring to mind). (Buy again? Definitely.)
MWG March 12th tasting: flight 7 of 7.
New wave vin jaune?
While many delicious wines were poured at last Sunday’s Small Secrets x Bar Barbara pop-up, this stood out in more ways than one.
Arbois 2007, Vin Jaune, Domaine André et Mireille Tissot ($77.25/620 ml, 10322581)
100% organically and biodynamically farmed Savagnin from several parcels. (This is the generic bottling. Now in charge of the estate, André and Mireille’s son, Stéphane, has also been making vineyard-designated vins jaunes since 1993 and recently introduced a Château Chalon.) The grapes are manually harvested, pneumatically pressed and fermented in tanks with indigenous yeasts. The resulting wine is transferred to 228-litre barrels for maturation. Contrary to conventional practice, the barrels are not topped up (the wine lost to evaporation is not replaced). A yeast veil soon forms on the surface, protecting and flavouring the wine. After six years, the wine is racked, lightly filtered and bottled in clavelins, squat 620-ml bottles (620 ml said to be the amount left from a litre of wine). No sulphur is added. 15% ABV. Quebec agent: Les vins Alain Bélanger.
Gorgeous outgoing nose. Lightly oxidized yellow plum and apple with hints of limestone, nuts and curry powder. Bone dry yet there’s a sweet fruitiness unlike anything I’ve encountered in a vin jaune and a freshness whose only parallel (in my experience) is found in Gahier’s 2005. Buoyant acidity enlightens the rich bordering on dense texture, while the fruit is faceted by mineral and butterscotch undertones and white and yellow spice overtones that perfume the long, long finish. Wonderfully pure and clean. Is Tissot pointing the way to a more immediately accessible, fruit-driven vin jaune? In any case, even in its infancy, this is delicious on its own and synergistic with aged Comté and walnuts. It also worked well with shards of old Gouda. (Buy again? Oh, yes. In fact, it’s the kind of wine that, if I had the money, I’d buy a dozen bottles of and open one every two or three years to track its evolution over its sure to be decades-long life.)
MWG November 24th tasting: Perfectly Pinot
Côtes-de-Nuits Villages 2012, Viola odorata, Domaine Henri Naudin-Ferrand ($76.75, private import, 6 bottles/case)
Each of the estate’s unsulphured cuvées is named after a different wildflower found growing in the vineyards. The grapes for this 100% Pinot Noir come from sustainably farmed 70- to 85-year-old vines grown in three parcels. Manually harvested. The whole clusters are vatted under carbon dioxide for two weeks’ maceration and fermentation (with indigenous yeasts and occasional punch-downs), followed by a quick, gentle pressing, The must is transferred by gravity into large barrels for 48 hours’ settling and then into French oak barrels (80% new) for malolactic fermentation and maturation (18 months in all). Bottled unfiltered and unfined using gravity and compressed air (no pumping). No added sulphur. 12.5% ABV. Quebec agent: oenopole.
The kind of fragrant nose that makes Pinot Noir lovers swoon: red berries, forest floor, ferns, cola, beet, turned earth, slate, ash and a hint of iodide. A sip shows the wine to be a medium-bodied, silky textured, expansive mouthful of ripe fruit with firm yet lacy tannins and glowing acidity, all grounded in earth and minerals and slow-fading in a long, woody (not oaky) finish. Am not sure how it pulls off the trick of being both rustic and elegant but it does. Carafe an hour or longer if serving now or cellar for another five or ten years. (Buy again? If you can afford it, go for it!)
Vosne-Romanée 2011, Les Jachées, Domaine Bizot ($179.00, 11381953)
The 3.5-hectare estate produces a total 900 cases of wines a year. 100% Pinot Noir from sustainably farmed 80-plus-year-old vines grown in the Les Jachées vineyard. Manually harvested. The whole clusters are vatted, fermented with indigenous yeasts for 14 to 20 days and gently pressed. The must is transferred to new oak barrels for 15 to 20 months’ maturation. Unpumped, unracked, unfiltered and unfined, with not added sulphur. Manually bottled, barrel by barrel (the label specifies which barrel the wine came from). 11.5% ABV. Quebec agent: oenopole.
More assertive but equally textbook nose redolent of spice, cherry, wood, cedar, turned earth, beet: ça pinote, as they say around here. Richer, rounder and deeper, too. Structured though not at the expense of fluidity. Silky fruit unfurls over fine velvety tannins and sleek acidity. Layers of minerals and wood hint at unplumbable depths. Gains a liqueurish note on the seemingly endless finish. Dry but so ripe and pure you don’t notice. In a word, spellbinding. Remarkably accessible for such a primary wine, which isn’t to say it shouldn’t be cellared for a decade. (Buy again? If you can afford it, go for it!)
An interesting flight for several reasons. First, it was arguably the most memorable of the tasting. Also, both wines come from the Côtes-de-Nuits and are made with grapes from old vines. Both estates have similar farming and winemaking practices. And lastly, Claire Naudin and Jean-Yves Bizot were once an item and remain good friends.
(Flight: 3/5)
Brett happens 