Posts Tagged ‘Organic’
Vittoria! Vittoria!
In Italian, cerasuolo means cherry-red. The word also appears in the names of two appellations. Cerasuolo d’Abrruzo is a Multepulciano-based rosé from central Italy. Cerasuolo di Vittoria is a red wine made in southeast Sicily, specifically in the province of Ragusa and parts of Caltanissetta and Catania.
Though Cerasuolo di Vittoria has been made since the 17th century, it wasn’t granted DOC status until 1974. Since 2004, it has been Sicily’s only DOCG. By law, Cerasuolo di Vittoria must be a blend of Nero d’Avola and Frappato, with the former constituting between 50 and 70%. Within the DOCG is a large zone, centred around Vittoria and including the original DOC, whose wines are entitled to the Classico designation provided they have been matured 18 months or longer.
Viewing Cerasuolo di Vittoria as the wine with the deepest roots in the region and the most expressive of the regions’ terroir, COS has made it the estate’s flagship.
Cerasuolo di Vittoria Classico 2011, Azienda Agricola COS ($34.75, 12484997)
Nero d’Avola (60%) and Frappato (40%) from organically farmed vines. Fermented in stainless steel tanks on the skins and with indigenous yeasts. Matured 15 months in 20 and 40-hectolire oak foudres and several months in bottle. Unfiltered. Reducing sugar: 2.7 g/l. 13% ABV. Quebec agent: oenopole.
Cherry with a hint of pastry and overtones of balsam and spice. Medium-bodied. Fresh and fruity from start to finish, laced with bright acidity, graced by silky tannins. A mineral backdrop and touch of earthiness add welcome dimension. The long finish is appetizingly tart. Not what you’d call complex but so approachable and drinkable. (Buy again? Yes, though not without wishing it were a little less pricey.)
Cerasuolo di Vittoria Classico 2011, Delle Fontane, Azienda Agricola COS ($79.00, private import, 6 bottles/case)
Nero d’Avola (60%) and Frappato (40%) from organically farmed vines around 20 years old grown in the Delle Fontane vineyard. Fermented with indigenous yeasts in glazed cement tanks. Matured 15 months in 20- and 40-hectolire oak foudres for the Nero d’Avola and in glazed concrete tanks for the Frappato. After blending, the wine is matured several additional months in the bottle. Unfiltered. 13% ABV. Quebec agent: oenopole.
A nose to get lost in: cherry again, a whack of limestone and overtones of earth, dark minerals, marzipan, flowers (rose?) and dried herbs (bay?). A sip reveals a gorgeous surface and considerable depth, a wine denser but somehow not heavier than the estate Classico. The fruit is sweet yet the wine is dry. The layers of flavour – more like veils, actually – include minerals, tar, licorice and mushroom. Fine tannins and sleek acidity are in perfect balance. The structure, texture, complexity and weight are very Burgundian, in fact, though the aromas and flavours are anything but. The finish goes on and on. Gorgeous. I could drink this forever. (Buy again? If you can spare the pennies, sure.)
And, yep, the post’s title is another opera reference, this time to the second act of Tosca.
MWG April 14th tasting: flight 5 of 6.
COS and effect
The second half of the April 14th tasting was led by Giusto Occhipinti, one of the two partners of Azienda Agricola COS. Giusto’s last name contributed the O in the estate’s acronym (current partner Giambattista Cilia contributed the C, while the S comes from former partner Cirino Strano). Though the wines made by Giusto’s niece Arianna Occhipinti arguably have a higher profile these days, it was COS, founded in 1980, that showed the way, that spearheaded the revolution in winemaking in the region. (Back in 2010, when she she led a MWG tasting, Arianna herself said it was Giusto who initiated her into winemaking.)
The estate is located in Acate-Chiaramonte, outside of Vittoria in Ragusa province in southeast Sicily. Originally owing only three hectares, COS acquired the nearby Villa Fontane estate and its nine hectares of vines – which they have since expanded to 17 hectares – in 1991. In 2005, they purchased a neighbouring estate with an additional 20 hectares of vines and an 18th-century wine cellar. They renovated the wine cellar and built new winemaking facilities, with 150 in-ground amphorae, which they inaugurated in 2007.
Early experiments with then-modish international varieties led them to focus – though not exclusively – on local varieties, especially the Nero d’Avola and Frappato for their flagship Cerasuolos. The partners also adopted biodynamic practices in the early 1990s, as they consider them the best option for expressing the region’s terroirs. Clay amphorae were first introduced in the fall of 2000. Cellar practices are non-interventionist: ambient yeasts; no additives except for a small squirt of sulphur dioxide at bottling; no fining or filtering. The unusual shape of the squat bottles is inspired by an ancient flask unearthed during excavations on the property.
Our tasting began with the estate’s three entry-level wines.
IGP Terre Siciliane 2013, Il Frappato, Azienda Agricola COS ($28.20, 12461488)
100% Frappato from organically farmed vines around a dozen years old. Macerated and fermented on the skins with indigenous yeasts for 10 days. Matured 12 months in glass-lined concrete tanks. Reducing sugar: 2.3 g/l. 12% ABV. Quebec agent: oenopole.
Fresh nose of crushed raspberry, light spice and pumice. It’s a supple wine, on the lighter side of medium-bodied, with pure sweet fruit, sustained acidity and lacy tannins. As the fruit dries and fades, background minerals come to the fore on the long, bitter-edged finish. Very elegant and drinkable. Food friendly, too (think pasta, rabbit stew or grilled tuna). (Buy again? Yes.)
IGP Terre Siciliane 2013, Nero di Lupo, Azienda Agricola COS ($29.30, 12538561)
100% Nero d’Avola from organically farmed vines around a dozen years old. Macerated and fermented on the skins with indigenous yeasts for 10 days. Matured 18 to 24 months months in terracotta amphorae and glass-lined concrete tanks. Reducing sugar: 2.3 g/l. 12% ABV. Quebec agent: oenopole.
Reductive at first, then yielding a fresh nose of red fruit, slate and sandalwood. Medium-bodied. Supple but more structured and dimensional than the Frappato. A fundamentally dry and savoury wine, remarkable for its dark, tart fruit, mineral underlay, overall balance and lightly spicy finish. Delicious. About as far as you can get from the run-of-the-mill Nero d’Avola. I’ll drink to that. (Buy again? Yes.)
IGT Sicilia 2010, Maldafrica, Azienda Agricola COS ($31.00, 12465155)
When I asked about the origin of the name, Giusto explained that, in Italian, maldafrica is, among other things, a kind of homesickness for an exotic place. In this case, the non-Sicilian varieties were planted by a régisseur who hailed from Bordeaux. This wine is a blend of Cabernet Sauvignon (45%), Merlot (45%) and Frappato (10%) from organically farmed vines around 20 years old. Fermented on the skins with indigenous yeasts in terracotta amphorae. Matured in Slavonian oak barrels and in the bottle. Reducing sugar: 1.8 g/l. 13% ABV. Quebec agent: oenopole.
Cassis, slate, hints of tobacco, red meat, leather and spice. Medium- to full-bodied and, like every other COS wine, balanced, civilized and supple. The ripe, solar, savoury fruit is intense yet lithe, the acidity smooth, the tannins round. Work your way through the layers of flavour and you’ll find a substrate of minerals. Tobacco and cedar scent the long finish. True to both its Bordeaux and Sicilian roots, this elegant wine is the “kind of pure and racy warm-climate red that should have New World winemakers seriously questioning their modus operandi (looking at you, Napa),” to quote my note on the 2009. Unfortunately, there is very little left in Quebec. (Buy again? If the opportunity presents itself, absolutely.)
MWG April 14th tasting: flight 4 of 6.
Going live
Vin de France 2014, Y’a bon the canon, Anne et Jean-François Ganevat ($28.35, 12624152)
Organically farmed Gamay (reportedly from Château de Grand Pré in the Beaujolais) blended with smaller amounts of old indigenous varieties from Ganevat’s vineyards in the Jura (Petit Béclan, Gros Béclan, Geusche, Argant, Peurion, Portugais Bleu, Isabelle, Enfariné and maybe others). Manually harvested. Nautral vinification. Unfiltered. Unfined. No added sulphur. Reducing sugar: 2.8 g/l. 13% ABV. Quebec agent: Rézin.
Rich, glowing red, deeper than expected. Fragrant nose of red berries – especially cranberry – and pine forest floor, eventually developing pepper, slate and beef larb aromatics. In the piehole, it’s supple, light- to medium-bodied and a little spritzy, a tart and juicy mouthful with great fruit-acid balance. Relegated to the background, the slim tannins are most obvious as a lingering, faintly bitter astringency. The long, lip-smacking finish leaves a cedary aftertaste. So fresh, so alive, so food-friendly (grilled pork with fresh herbs or roast chicken with same would be killer). Drink lightly chilled. In an ideal world, this would be $5 cheaper but, then again, it’s a compulsively drinkable natural wine from a cult producer and the exchange rate is punishing these days. (Buy again? Imperatively.)
SAQ.com shows this as unavailable but I bought mine at one of the larger Sélection stores yesterday afternoon (the clerk went to the back room and pulled the bottle out of a case still on the delivery pallet). Note that there’s not a lot around and it’s certain to disappear fast.
Two other noteworthy wines are also going live this week. First, one of the MWG’s favourite private imports is premiering at the SAQ: Côtes du Roussillon 2013, C’est pas la mer à boire, Domaine du Possible ($32.25, 12623088), which, like the Ganevat, is showing as unavailable on SAQ.com but which I purchased yesterday (see here for some background on the winemaker and my tasting note from last November). Second, a restocking of the irresistible Alsace 2011, Trilogie, Domaine Barmès Buecher ($19.95, 12254420).
Rosé de Romanin
Les Baux-de-Provence 2013, Château Romanin ($28.50, 11542041)
Biodynamically and organically farmed Grenache (47%), Syrah (29%), Counoise (18%) and Mourvèdre (6%) from vines between 18 and 57 years old. Manually harvested. The whole clusters are slowly pressed. The must is chilled to 10°C and allowed to clarify by settling before being racked into temperature-controlled (18-20°C) stainless steel tanks for alcoholic fermentation. Malolactic fermentation is blocked. Matured six months on the lees with regular stirring. Reducing sugar: 1.4 g/l. 13.5% ABV. Quebec agent: Divin Paradis.
Farty at first but after 10 minutes or so an appealing, nuanced mix of red berries and peach, stones and herbes de Provence. The first sip reveals an elegant and balanced wine. The fruit is light but clear and sustained, backed by minerals, shifting from sweet-seeming to savoury as it moves through the mouth, textured by fine acidity and just a hint of tannins and, as the wine approaches room temperature, a touch of alcoholic heat. A thread of bitterness winds through the finish, while the unmistakable fragrance of strawberry lingers long after. A beautiful bottle and an excellent pairing for cedar-planked salmon topped before grilling with a paste made from orange and lemon zest, fresh Provençal herbs, olive oil and a smidgen of garlic. (Buy again? Imperatively.)
One of the best of this year’s crop of rosés at the SAQ, a wine that perfectly demonstrates that rosés have a raison d’être, that they are indeed a category unto themselves, one deserving of equal status with whites and reds. Carafe a half hour before serving. The long cork may indicate that its makers think it’s ageable; I wouldn’t hesitate to cellar it a year or two.
There’s quite a bit of this around (at least on Montreal island), so rumours of the good rosé season’s demise are slightly exaggerated. Other recommended rosés still widely available – possibly because many shoppers can’t bring themselves to spend upwards of $25 on a bottle of pink wine – include: Bandol 2013, Domaine de Souviou ($25.10, 12200798), Sierra Foothills 2013, Vin gris d’Amador, Terre Rouge ($25.40, 11629710), Patrimonio 2013, Domaine d’E Croce, Yves Leccia ($26.20, 11900821) and Corse Figari 2014, Clos Canarelli ($34.00, 11917666).
Flight of the Rosenbergs
The first half of the tasting ended with a pair of wines from the Rosenberg vineyard, which the estate describes as a “gentle to moderate slope facing east-northeast … a terroir of fairly deep soil, with limestone rocks covered with small parcels of sandstone or flint. The limestone confers power, the clay gives fatness, the sandstone and flint, minerality, subtlety and breeding.”
In both cases, the manually harvested grapes were sorted at the vine and in the cellar, where the whole clusters were gently pressed. The must was allowed to settle for 12 hours, then racked into stainless steel vats for fermentation with indigenous yeasts. Nothing was added except a squirt of sulphur dioxide at the first racking and at bottling. Lightly filtered at bottling.
Alsace 2011, Pinot Gris, Rosenberg, Domaine Barmès Buecher ($31.50, 11655811)
Matured 16 months, 10 of them in demi-muids. Reducing sugar: 11 g/l. 15.1% ABV. Quebec agent: oenopole.
A fairly funky nose off the bat, some candied pear and white peach and a dusting of ashy minerals but mainly hay and straw with flowers in it. Rich and not devoid of residual sugar though coming across as fundamentally dry. The unctuous texture is cut by a current of bitter acidity. Impressive breadth and length. The alcohol adds power but otherwise is transparent. Went very well with some of the cheeses served after the tasting. (Buy again? Yes.)
Alsace 2012, Gewürztraminer, Rosenberg, Domaine Barmès Buecher ($31.50, 11655774)
Reducing sugar: 28 g/l. 12.5% ABV. Quebec agent: oenopole.
Perfumy but not to the point of caricature: rose, citrusy Muscat grape and a hint of honey. Rich and verging on off-dry, though fluent acidity, a mineral matrix and white spice overtones hold the sugar in check. A bitter thread wends its way through the long finish. A beguiling, classic expression of the grape. (Buy again? Yes.)
It says something about the balance of these wines that I was dumbfounded when, post tasting, I learned the alcohol content of the Pinot Gris and the sugar content of the Gewürz.
MWG April 14th tasting: flight 3 of 6.
Three of one
A trio of Rieslings followed, all made essentially the same way. Harvesting was manual. The grapes were sorted in the vineyard and the cellar. The whole clusters were gently pressed. The must was allowed to clarify by settling for 12 hours, then racked into stainless steel fermentation vats. Fermentation was with indigenous yeasts. No chaptalization or other additions, including fining agents, were used. Minimal amounts of sulphur dioxide were added at the first racking and at bottling. All the wines were lightly filtered at bottling.
Alsace 2012, Rosenberg, Riesling, Domaine Barmes Buecher ($31.50, 11896121)
Clayey limestone (mainly chalk) with sandstone and flinty substrates. Matured in stainless steel tanks. Reducing sugar: 6.3 g/l. 12.8% ABV. Quebec agent: oenopole.
Winey nose of apple, white flowers, quartz and hints of pineapple and petrol. Smooth, supple and pure. Fruity but ultimately dry with high but well-integrated acidity. Long. “Des beaux amères,” rightly remarked Giusto Occhipinti. Accessible now but with the potential to improve. (Buy again? Yes.)
Alsace Grand Cru 2011, Steingrübler, Riesling, Domaine Barmes Buecher ($48.00, 12214161)
Limestone with clay, marl and coarse sand of granitic origin. Matured 12 months on the lees in demi-muids. 15% ABV. Quebec agent: oenopole.
Deeper, more complex, classic nose: crystals galore, vaporous sweet yellow and white fruit and citrus zest and a whiff of kerosene. In the mouth, it’s tense, tightly coiled and multidimensional. Very dry. The fruit tends to grapefruit including some pith on the long, minerally finish. The steeliest and most powerful of the three, though the alcohol is far less apparent than the percentage might lead you to believe. Will surely benefit from another four or five years in the cellar. (Buy again? Definitely.)
Alsace Grand Cru 2010, Hengst, Riesling, Domaine Barmès Buecher ($48.00, 11010343)
Marl limestone. Matured 12 months on the lees in demi-muids. Reducing sugar: 3.8 g/l. 13% ABV. Quebec agent: oenopole.
More open and upfront, fruitier than the Steingrübler: apple and lemon against a backdrop of minerals and distant petrol. Richer and sunnier in the mouth, the fruit more voluptuous. Approaching off-dry though the sugar is held in check by buoyant acidity and a fainly bitter, white-mineral underlay. Long. A bit monolithic for now but the potential is obvious. The pick of the trio for several of the tasters present. (Buy again? Yes.)
MWG April 14th tasting: flight 2 of 6.
Three in one
Maxime and Sophie Barmès of Domaine Barmès Buecher and Giusto Occhipinti from Azienda Agricola COS were in Montreal last April and our friends at oneopole generously hosted a dozen Mo’ Wine Group members at a tasting at their world headquarters. oenopole brought the wine and the three visitors and we brought the food.
After his father François died in a cycling accident in the fall of 2011, twenty-something Maxime returned from school to oversee, assisted by his mother Geneviève, the winemaking for the just-completed harvest. He has stayed on as winemaker while Sophie, who obtained a management degree in 2010, looks after the business side of things.
Farming and winemaking follow the practices established by Francois soon after he took over the estate: manually working the vines and soil; abjuring herbicides, insecticides, fungicides and synthetic fertilizers; using only plant-based treatments; strictly sorting the grapes on the vine and at the cellar; pressing gently; adding nothing and taking nothing away. The results are there for the tasting.
We began with an easy-drinking blend made exclusively for the Quebec market.
Alsace 2011, Trilogie, Domaine Barmès Buecher ($19.95, 12254420)
A blend of organically and biodynamically farmed Pinot Blanc (40%), Riesling (40%) and Pinot Gris (20%). Manually harvested. Whole-cluster pressed. Fermented with indigenous yeasts. Matured 12 months on the fine lees in stainless steel tanks. Unfiltered and unfined. Sulphur is added – and then minimally – only at bottling. Reducing sugar: 6.9 g/l. 12.5% ABV. Quebec agent: oenopole.
Quiet nose of chalk, white peach and pineapple with coriander and fennel seed hints. In the mouth, the wine is bright and clean, as aromatic as it is flavourful. A touch of residual sugar rounds and adds sheen. The remarkably pure fruit is infused with white minerals, while an intriguing acid bite appears on the mid-palate and a faint bitterness marks the long finish. Uncomplicated (which is not to say shallow), fresh and appetizing, this has QPR winner written all over it. Perfect for sipping on its own or serving with seafood in Asian-style preparations. (Buy again? Imperatively. Here’s hoping there’s a second shipment.)
MWG April 14th tasting: flight 1 of 6.
A quaffability quotient about as high as it gets
Morgon 2013, Jean Foillard ($27.40, 11964788)
This is the so-called Classique bottling, though the word appears nowhere on the label. 100% organically farmed Gamay. The manually harvested whole clusters undergo carbonic maceration at 4 to 7°C and fermentation with no added sulphur or yeasts for three to four weeks. The wine is matured in tanks for four to five months. Filtering? None or very light. Bottled with a tiny shot of sulphur dioxide for stability’s sake. Reducing sugar: 2.2 g/l. 12.5% ABV. Quebec agent: Rézin.
Delightfully fragrant nose: strawberry, cranberry, leafmould, spice, slate. Smooth and supple in the mouth. Medium weight, medium intensity. The sweet, silky-textured fruit with its floral overtones couldn’t be more pristine. Smooth acidity and featherweight tannins tannins lightly structure. The long finish ends on a faint astringent note. Such perfect balance. Not as deep or rich as some Morgons, including Foillard’s own Côte du Py, but the quaffability quotient is about as high as it gets. (Buy again? Yes!)
The SAQ does natural wines – part 2
The Barbera d’Asti 2008, Terra del Noce, Trinchero ($24.50, 12517710) has considerable initial appeal, provided you’re not bothered by the whiff of volatile acidity. The vibrant attack, pure fruit, upfront cherry and slate flavours, bright acidity and light rustic tannins are typical of the grape and appellation. Too bad, then, that the wine falls short on the finish. Buy again? Twenty-five bucks for a dead-ender? Probably not.
Having enjoyed other wines from the winemaker in his Domaine la Fourmente guise, we had high hopes for the Côtes du Rhône Villages Visan 2012, Native, Rémi Pouizin ($19.90, 12517832). How disappointing then to report it has as many cons as pros. Burned rubber and barnyard cancel out the otherwise attractive nose of raspberry jam, black tea leaves and black pepper. And though I don’t quite agree with one taster’s dismissal (“blackberry yogurt with tannins”), the lean, way peppery fruit is dominated by a parching dryness and tannic astringency while a metallic edge and flaring alcohol do no favours to the finish. Improves – turns sweeter and fruitier – after a couple of hours but not enough to dispel the impression that this is a textbook example of why I sometimes find Grenache hard to love. Buy again? Probably not.
A cipher when opened, especially on the nose, the Corbières 2012, L’Enclos, Domaine des Deux Ânes ($24.70, 12518000) doesn’t really come around until an hour later, at which point it shows itself to be the richest and roundest wine of the six, an agreeably earthy mouthful of red and black fruit, dried herbs and spice with a mineral underlay. The plush tannins and soft acidity have just enough presence while the finish provides a warm-and-fuzzy send-off. Not a throat-grabber by any means but easy to drink. Buy again? Sure, though not without wishing the price was closer to $20.
SAQ natural wines tasting: post 2 of 3.
Brett happens 
The SAQ does natural wines – part 3
with 8 comments
The mystery wine is brought out in a decanter. The bouquet wafts around the table even as the glasses are poured. And what a lovely bouquet it is, a mix of crushed blackberry and blackberry jam with hints of pumice dust, smoke and game and a floral note pitched somewhere between violet and rose. In the mouth, the wine is fresh and pure, medium-bodied and supple, filled with sun-ripe yet ethereal fruit, dusty minerals and juicy acidity, framed by springy tannins that persist through a long, savoury finish. What can it be?
The wine’s solar quality has us immediately eliminating northern climes. After dallying with southern France and considering the flavour profile, we turn our attention to Italy. The fine structure and excellent balance are not unlike those of a Nebbiolo, yet the taste isn’t Baroloesque and that touch of jamminess seems incongruous. The host demands a guess. A newfangled Piedmont blend from a hot vintage?
The answer – and some thoughts about the SAQ’s first ever natural wine operation – are after the jump.
Read the rest of this entry »
Written by carswell
June 1, 2015 at 15:58
Posted in Commentary, Tasting notes
Tagged with Natural wine, Organic, Private imports, Red wine, Sicily, Upper mid