Posts Tagged ‘Organic’
MWG March 20th tasting (4/7): Go-to Venetos
IGT Veneto 2008, Campo Massimo, Albino Piona ($19.05, 12132035)
100% Corvina from 10- to 15-year-old vines. Manually harvested. Destemmed and pressed. Fermented and macerated in temperature-controlled tanks with pumping over and rack-and-returns. Aged ten months in stainelss steel tanks. 13% ABV.
Intriguing aromatic nose: floral, strawberry jam, leather, earth, lipstick. Fresh and lively in the mouth with the weight and structure of a Beaujolais cru. Tart berries and cherry sing while bell pepper and chervil hit a savoury note. Fair length. Very throwbackable, especially when lightly chilled. How do you say vin plaisir in Italian? (Buy again? Yes.)
Valpolicella Superiore Ripasso 2012, Morandina, Prà ($21.65, 12131964)
A blend of organically farmed Corvina, Corvinone, Rondinella and Oselata. Destemmed, pressed and transferred to tall vats for 15 days’ fermentation and maceration with rack-and-returns. Transferred to 20-hectolitre oak barrels for malolactic fermentation. The resulting wine in then macerated on the skins of grapes used to make Amarone for five days at 25 to 30°C, during which time a second fermentation takes place (this step is what makes it a ripasso). Lastly, the wine is transferred to large barrels and a few French oak casks for a further 18 months’ maturation. 13.5% ABV.
Morello cherry, blackberry, bell pepper, fresh herbs and spice, in particular white pepper and licorice. Medium-bodied, tart and juicy, balanced. The fruit is clean, the tannins supple, the acidity fresh. Dark minerals and a bitter thread add depth. Exits as suavely as it enters. Not a vin de contemplation but perfect in its way. Great QPR. (Buy again? Yes.)
MWG March 20th tasting (2/7): Flat whites?
Vernaccia di San Gimignano 2012, Panizzi ($20.90, 12102821)
100% Vernaccia. Sees only stainless steel until bottling. Gently crushed, no maceration. Fermented in temperature-controlled (18°C) tanks. Transferred to other tanks for five months’ maturation. 13% ABV.
Straw, chalk and quartz, eventually offering up faint stone fruit and lemon. Clean and intense. Starts dry but sweetens as it goes along. Possessed of a certain richness – largely extract – that’s balanced by acidity. Long, minerally finish with a telltale bitter almond note. A second bottle showed better at table. The best Vernaccia sold at the SAQ in a coon’s age, though less accomplished than the private import Barzaghi tasted last year. (Buy again? Sure.)
Verdicchio dei Castelli di Jesi Classico Superiore 2010, Il Coroncino, Fattoria Coroncino ($23.55, 11952138)
100% Verdicchio from vines in the Coroncino and Cerrete vineyards. Farming is organic, though uncertified, and no fertilizers are used. Manually harvested, gently pressed. Fermented with indigenous yeasts in temperature-controlled (20°C) stainless steel tanks. Whether the wine undergoes malolactic fermentation is left to nature. Matured in stainless steel tanks. Minimal sulphur is added at bottling. 13.5% ABV.
Oxidized butter, flowers, yellow apple, dried lemon, ash. Rich, smooth, concentrated but not heavy. Fruit is present but Heisenbergian: when you look for it, it evanesces. Layered, with substrata of tangy acid and dusty chalk. Long, bitter-edged, moreish. A bottle consumed a couple of weeks after the tasting proved even more compelling and made a surprisingly good match for asparagus gratinéed with Parmesan cheese and topped with a fried egg. (Buy again? Yes.)
IGT Civitella d’Agliano 2012, Poggio della Costa, Sergio Mottura ($21.75, 10782309)
100% Grechetto from organically farmed vines grown in the Poggio della Costa vineyard. Soft-pressed, cold-settled, fermented in temperature-controlled (18-20°C) tanks for 15 to 25 days. Matured on the lees in tanks for five or six months. Sees only stainless steel until bottling. Screwcapped. 13.5% ABV.
Inexpressive nose of lemon and quartz dust. Bland and inexpressive in the mouth. Clean, medium-bodied, with lowish acidity, a saline finish and no personality. I quite enjoyed Mottura’s Orvietto last year but this was simply forgettable. Closed and in need of time? Let’s hope that’s the explanation. (Buy again? Only to give it a second chance.)
I had high hopes for this flight: three monovarietals from three iconic Italian white grapes made by three highly regarded producers. But all three wines fell flat at the tasting, generating little interest, with no one inquiring about availability. Did the cavas neutralize our palates? Were the planets improperly aligned? Are these wines that, like many central Italian reds, need food to show their mettle? That the two revisited after the tasting were capable of providing pleasure (especially the Coroncino) has me leaning toward the food hypothesis. Then again, I thought both made a fine aperitif on their own before I sat down to eat.
MWG March 20th tasting (1/7): Soulless sparklers?
Eric Asimov neatly summarizes the issues many MWG members have with cava: “I have never been the biggest fan of cava. While repeatedly I have seen it cited as an excellent value, the rock-bottom prices never justified the absence of pleasure I experienced. Served chilled, I thought, it was merely cold and bubbly, with little zest or energy. It seemed to lack the sparkling joy of prosecco, or the intrigue of the various crémants.”
To put our preconceptions to the test, we popped the corks on two highly rated and relatively pricey Spanish sparklers.
Conca del Riu Anoia 2009, De la Finca, Raventos I Blanc ($31.50, 12178834)
Organically farmed Xarel⋅lo (45%), Macabeu (30%) and Parelleda (25%) from vines grown in nine parcels planted between 1970 and 1987. After gentle pressing, the varieties are fermented separately in temperature-controlled stainless steel tanks, then blended and transferred to bottles for second fermentation and a minimum of three years’ maturation. 12% ABV.
A fine bead but not much foam. Bready, yeasty, lemony, chalky nose. Clean with a tight effervescence. More minerally than fruity (quince?). Long, bitter-tinged (almond skins?), tensely acidic and very dry. Not much depth, though chewing reveals more. (Buy again? Maybe.)
Penedès 2007, Imperial Gran Reserva, Gramona ($32.70, 11800222)
Xarel⋅lo (50%), Macabeu (40%) and Chardonnay (10%) from 25- to 30-year-old vines. Aged on the lees for four to five years. 12% ABV.
Sweeter-smelling than the Finca: lemon, flowers and a note of shower curtain. Softer effervescence. Suaver but also grapier, rounder, less dry and less pristine. Again more minerally than fruity. Decent breadth and length but plumbing no depths. (Buy again? Meh.)
Both wines are scored highly by local and international critics. Both are impeccably made. Neither is unpleasant to drink. So why did they generate no excitement and little enthusiasm around the table? “Lack of soul?” hazarded one taster. “Not a lot of personality there,” noted another. The general conclusion was that the 20% to 30% price premium over more enjoyable sparklers from the Jura, Loire, Alsace, Burgundy and Limoux made purchasing them hard to justify.
MWG February 13th tasting (5/5): Vins de beauté
Patrimonio 2009, Clos Signadore ($46.00, 11908129)
100% Nielluccio from 50-year-old vines in a four-hectare plot called Morta Plana (the estate officially began converting to organic farming in 2010 and was certified in 2013). Manually harvested. Macerated and fermetened with inidigenous yeasts in stainless steel tanks for 45 to 60 days. Matured in neutral demi-muids for 24 months. Sulphur is added only at bottling. 13.5% ABV.
Effusive bouquet of sweet spice, wood and graphite against a backdrop of red fruit. In the mouth, it’s medium-bodied, fluid and impeccably balanced. Limber tannins provide a supple structure. Spice colours the rich fruit, which persists well into the long finish. Sleek, even a little glossy and definitely the least unconventional of the trio but undeniably a pleasure to drink. (Buy again? Sure.)
Patrimonio 2010, Carco, Antoine Arena ($40.50, 12039560)
Arena doesn’t appear to have a website; see here for a short profile. 100% biodynamically farmed Nielluccio from the Carco vineyard. Macerated and fermented with indigenous yeasts in temperature-controlled (27-30C) tanks for six to nine weeks with regular punch-downs. Long maturation (up to two years for some cuvées). Minimally sulphured. Unfiltered and unfined. 14% ABV.
Closed but evolving nose: plum, earth, spice, eventually cocoa husks and a faint musky/animale note. Closed but promissing on the palate. A dry, savoury, smooth-textured middleweight. The fruit is ripe, dense and a bit cooked, though more roasted than stewed. Brisk acidity adds welcome tension and brightness; fine albeit pervasive tannins add structure; dark minerals add depth. The finish is long and velvety. Alive, even a little wild yet somehow quite elegant. (Buy again? Yes.)
Vin de table (2011), CN, Domaine Comte Abbatucci ($62.00, 11930140)
The second vintage of this wine, which doesn’t meet the appellation’s grape variety requirements and so is classified a vin de table and not entitled to mention the vintage or the grape variety on the label (Abbatucci prints the vintage on the cork). 100% biodyanmically farmed Carcajolo Nero (aka Carcajolu-Neru) from vines average six years old. Hand-picked, crushed by foot. Maceration and fermentation with indigenous yeasts last 15 days. About one-third of the wine is then matured in neutral 600-litre demi-muids and the rest in stainless steel tanks for eight to ten months. Unfiltered and unfined. 13% ABV.
Pale, clear red, approaching the kind of rubis you sometimes see in Jura wines. Appealing nose of red currant, leather, cedar, maquis and a possibly reductive note that one taster described as “balloon animals.” Medium-bodied, silky textured. The fruit is juicy, like fresh squeezed mulberry, overtoned with sandalwood, buoyed by soft acidity. The supple tannins turn astringent on the long, chocolate-noted finish. Complex if not particularly deep but unique and fascinating all the same. (Buy again? Would love to.)
Victorious
Cerasuolo di Vittoria Classico 2010, Azienda Agricola COS ($36.25, 11577391)
A blend of biodynamically and organically farmed Nero d’Avola (60%) and Frappato (40%) from quarter-century vines. Fermentation is with indigenous yeasts and takes place in glass-lined concrete tanks. The varieties are fermented separately: the Nero at 30 to 33ºC, the Frappato at 28ºC. Maturation, which lasts 18 to 24 months, is in oak barrels for the Nero and concrete tanks for the Frappato. Unfiltered and minimally sulphured. 13% ABV.
Dusty cherry and elderberry, sun-baked earth, hints of leather, old wood, tobacco, flowers and licorice. Medium-bodied yet intensely present. The fruit, sweet and silky up front, fades and dries into the mid-palate as tertiary, mineral and earth flavours unspool. The acidity may be low-key but it’s sufficient to keep the wine fresh and buoyant, while the structurally light tannins add a firm astringency. The finish – long, drying and savoury – has an appetizing sour edge. Like all COS wines, this is a model of elegance and balance. The price may be creeping into treat territory but you won’t find a finer, more engaging Cerasuolo di Vittoria. A brilliant pairing for lasagne made from scratch but versatile enough to serve with a wide range of white meats, well-done red meats and deep-flavoured vegetarian dishes. (Buy again? Yes.)
Soave sia il vino
Yet another wine that the MWG bought multiple cases of when it was a private import has shown up at the SAQ.
Soave Colli Scaligeri 2011, Castelcerino, Cantina Filippi ($18.85, 12129119)
A subzone of the Soave DOC, the Colli Scaligeri (Scaligeri hills) is considered something of a grand cru, though oddly enough, it is located just outside the Soave Classico zone. The organically farmed grapes for this 100% Garganega come from vines averaging 45 years old. Manually harvested. Fermented with indigenous yeasts. Does not undergo malolactic fermentation. Matured on the fine lees for about six months, with occasional stirring, and an additional year in the bottle. Lightly filtered. Sees only stainless steel until bottling. 12.5% ABV.
Wafting nose of pear, camomile, white spice, limestone and powdered honey. Lush texture. Dry yet so extract-rich you don’t really notice. The fruit is present but subdued: Asian pear on a bed of hay and straw. A saline undercurrent adds a savoury tang. The cuvée’s signature minerals are there but rounder, less crystalline, more chalk than the quartz of earlier vintages. The acidity is rounder too, surely a function of the hot summer. A bitter note – grapefruit pith and almond skin – emerges on the long finish. A richer, weightier, slightly less mineral- and acid-driven example of this wine but one that delivers enormous pleasure. Astounding QPR. (Buy again? Oh, yes.)
(The post’s title is a play on the title of a sublime trio from Mozart’s Così fan tutte, which I mention only because it gives me an excuse to link to this video of a masterful performance.)
MWG February 13th tasting (2/5): Hushed awe
Domaine Comte Abbatucci’s three flagship wines are grouped under the Cuvée Collection banner. All are blends of little known and, in some cases, nearly extinct Corsican grape varieties with less uncommon varieties like Vermetinu. Each is named after one of the family’s ancestors. The estate has also begun making two mid-range monovarietal wines, one white and one red, both from obscure varieties. As none of the wines qualify for AOC status, all bear the vin de table designation, meaning neither the vintage nor the constituent grape varieties can be mentioned on the label (Abbatucci stamps the vintage on the cork, which is how we knew our bottles were 2011s).
Vin de table (2011), BR, Domaine Comte Abbatucci ($51.00, 11930123)
100% biodynamically and organically farmed Barbarossa, a red-skinned grape variety here given the blanc de noirs treatment. The first vines were planted in the 1960s. The grapes are manually harvested and pressed immediately after picking. Fermented (with indigenous yeasts) and matured in stainless steel tanks. Bottled unfiltered and unfined. 2,000 bottles made. 13% ABV.
Initially reticent but eventually deep. Minerally and floral with hint of lemoncello and a faint herby overtone, like maquis or hops. Round yet very fresh in the mouth, the fruit structured by a crystalline minerality and enlightened by acidity. A faint, pleasing bitterness threads through the long finish. Breathtakingly pure and pristine, not to mention unique. (Buy again? Gladly.)
Vin de table (2011), Il Cavalière Diplomate de l’Empire, Domaine Comte Abbatucci ($64.00, 11930191)
A blend of biodynamically and organically farmed Vermentinu (c. 40%) with lesser amounts of Rossola Bianca (aka Ugni Blanc aka Trebbiano), Biancu Gentile, Genovèse and possibly Brustiano (aka Vermentino?!) from vines averaging 50 years of age. Manually harvested. Slow fermentation with indigenous yeasts in stainless steel tanks. The fermented must is transferred to 600-litre used oak barrels for 12 months’ maturation. Unfiltered and unfined. 13% ABV. 1,500 bottles made. Named after Don Jacques Pascal Abbatucci (1765-1851), a childhood friend of Napoleon who served as an Imperial diplomat in Naples and fought at Waterloo.
Complex, nuanced nose of lemon, baked apple, maquis, fennel and wax, among other things. Slightly less dry than the BR. Dense and full, verging on lush but in no way flabby. On the contrary, there’s an enthralling tension and impeccable balance. Minerally and savoury with sweeter hints of stone fruit and a bitter undertow. Long, multifaceted, complete. The kind of wine that sticks in your memory for days. Arguably deserving of a place alongside France’s best whites. As a food pairing, the estate suggests simply prepared lobster seasoned only with a drizzle of fine olive oil. (Buy again? If the budget permits, yes, because, believe it or not, the wine’s if anything underpriced.)
The sketchiness of my notes is due partly to the wines’ being hard to describe; it’s a challenge to pin down what makes them so special. Also, the hushed awe that fell over the table when the first sniffs and sips were taken was soon broken by a distracting burst of comment and discussion, all of it positive. Several tasters expressed astonishment that wines of such quality and refinement could come from Corsica. Even the group’s resident white wine skeptic acknowledged their appeal and took second pours. Tellingly, both bottles were drained on the spot.
Given the tiny quantities produced, it’s surprising that the wines are even available in Quebec, let alone at the SAQ. They arrived at the Signature stores last fall and, though I wanted to include them in a tasting, the opportunity didn’t present itself and I’d assumed they were all gone. Fast-forward to early February, when Kermit Lynch’s monthly mailer showed up in my inbox with four 2012 Abbatuccis on page one. What struck me was the price: the three Collection wines were going for US$98 a bottle. Wondering whether I’d misremembered the SAQ price, I went to SAQ.com, which now lists products no longer in stock. Not only were the prices for the 2011s up to 40% cheaper in Quebec, there were still bottles of the BR, the CN (more on which anon) and one of the Collection whites available for purchase.
MWG February 13th tasting (1/5): Dry Riesling shoot-out
The idea for a flight comparing dry Rieslings from Germany and Australia came from a couple of recent Gazette articles (here and here) by wine critic Bill Zacharkiw, who says he plans to devote a good number of column inches in 2014 to promoting this underappreciated grape variety. All four wines were highly recommended, and rightly so (though in our case the Leitz was done no favours by being served last).
Riesling 2009, Eden Valley, B3 Wines ($24.55, 11034935)
B3 is shorthand for the three brothers Basedow who own and run the estate. This 100% Riesling sees only stainless steel. Screwcapped. 12.5% ABV.
Textbook nose of lime, green apple, white flowers, chalk, slate and petrol. Smooth and muted at first but gaining complexity. Quite dry and very present. The clean, bright fruit glows against a slatey backdrop while the acidity and minerals are intense enough to produce a faint burning sensation on the finish. The sulphurous note would have dissipated if I’d carafed the wine a half hour. (Buy again? Sure.)
Riesling 2012, QbA Rheinhessen, Trocken, Weingut Keller ($25.30, 10558446)
100% Riesling. Fermented at low temperatures and with indigenous yeasts. 12% ABV.
Lime, green pear and flowers on the nose – the fruit lightly candied, even a bit caricatural – along with an unexpected grassy note. Lighter and more rainwatery on the palate than the others and a little less dry, the better to balance the sharp acidity. The fruit takes a backseat to the crystalline minerality. A jalapeño note adds intrigue to the finish. And it’s all lifted by a faint carbon dioxide tingle. Focused, balanced and, as Zacharkiw says, fun. (Buy again? Yes, despite the high price for an entry-level wine.)
Riesling 2012 Springvale, Clare Valley, Grosset Wines ($38.25, 11625081)
100% organically farmed Riesling. Manually harvested. Sees no oak. Screwcapped. 12.5% ABV.
Deep if restrained nose: dried lime, yellow apple, chalk and meadow. The richest, weightiest and steeliest of the four. Bone dry too. The fruit is tightly wound around a talc-like mineral core. The acidity gives great cut. A saline note adds tang to the impressively sustained finish. There’s at least a decade’s worth of ageing potential here. Would make an interesting ringer in a flight of Alsatian grand cru Rieslings. (Buy again? Indeed.)
Riesling 2012, QbA Rüdesheimer, Leitz Weingut ($20.25, 11688402)
100% Riesling. Fermented with selected yeasts and matured in stainless steel tanks. Screwcapped. 12% ABV.
Sweet and sour lemon/lime, green apple and a hint of spicy peach. Relatively simple but appealingly fresh. Full of acidity but not sharp. The fruit is light and pure, the minerals tend to chalk, the finish is clean and long. In the vin plaisir category. (Buy again? Sure.)
Other than the wines themselves and seeing that Australia could easily hold its own, what was most striking about this flight was the lack of excitement it generated around the table. The tasters – who as a group are receptive to white wines and new experiences – were generally unenthusiastic. It’s not that they disliked the wines or couldn’t recognize their high quality. It’s that the wines didn’t push their buttons. Why that’s the case isn’t obvious to me, a Riesling lover from birth, but it would be interesting to know the answer.
Hot stuff
Saumur-Champigny 2012, Terres Chaudes, Domaine des Roches Neuves ($32.75, 12179087)
100% biodynamically farmed Cabernet Franc from 35- to 45-year-old vines. Manually harvested. Macerated two to five days then fermented with indigenous yeasts at 15 to 22ºC for around three weeks in lined concrete vats. Transferred to 60-hectolitre round and 12-hectolitre oval neutral oak barrels for one year’s maturation on the fine lees. Bottled unfiltered and unfined. 13% ABV.
Fragrant nose: cherry, blackberry, black currant and graphite along with old cedar, black earth tobacco leaf and a floral note that puts me in mind of iris. In the mouth, the wine is amply but well proportioned. The fruit is ripe and the Cab Franc herbaceousness that some find objectionable is non-existent, though there is a kind of herby freshness reminiscent of chervil. And yet, ripeness notwithstanding, the wine is austere, like Chiantis can sometimes be, possibly due to its bone-dryness and pervasive fine, tight tannins that outlast the fruit on the long finish. Still, the overriding impression is one of purity and finesse. This age-worthy wine is the most accomplished Terres Chaudes I’ve tasted and certainly among the best Loire Cab Francs available at the SAQ, where quantities appear to be limited. (Buy again? Yes, though not without some grumbling about the price.)
The 2010, a few bottles of which remain in the system, retails for $5.65 less. That’s quite the hike – 23% to be precise, which exchange rate fluctuations don’t begin to explain. Who’s pocketing the extra cash? The winemaker? The agent? The SAQ? All of the above?
An evening with Olivier Guyot (6/6)
Morey Saint-Denis grand cru 2008, Clos Saint-Denis, Domaine Olivier Guyot ($193.00, oenopole, 3 bottles/case)
100% Pinot Noir. 12.5% ABV.
Classy, layered and just beginning to open up – that’s true for the nose as well as the palate. Only a series of reconciled contradictions can hint at the wine’s allure: mouth-filling yet middleweight; intense yet fleet; structured yet supple; complex yet pure; refined yet down-to-earth (no need to give itself airs). With fruit, acidity and tannins in perfect balance, its elegance seems natural, unforced, while its depths seem unplumbable. The ever-evolving aromas and flavours – sweet berries, forest floor, sandalwood, earthy minerals, burning leaves, notes of beet, sarsaparilla, game and spice – hold you in thrall from first sniff through the very long finish. So proportionate and nuanced, so precise and complete. A thoroughbred. (Buy again? If price were no object, yes.)
Brett happens 