Posts Tagged ‘White wine’
Start off?
Montlouis sur Loire, Brut Nature, François Chidaine ($29.35, 11537049)
100% Chenin Blanc from biodynamically farmed vines between 20 and 50 years old. Manually harvested in several passes. The grapes are pneumatically pressed. Alcoholic fermentation with indigenous yeasts takes place in 600-litre demi-muids and can last up to six months. Malolactic fermentation is usually avoided. Sparkled using the traditional method. Undosed. The bottles spend 12 months on lattes. Reducing sugar: 8.2 g/l. 12% ABV. Quebec agent: Le Maître de Chai.
The cork emerges easily and without the expected pop. No foam and only a little fizz are to be seen in the glasses. The nose is complex with notes of sweat, wax, distant fields, citrus and oxidized pear. A sip shows the wine to be barely effervescent and what bubbles there are tiny and tickling. The low level of fizz combines with the extract, smooth acidity and touch of residual sugar to convey an impression of roundness. Quince and pear flavours tinged by browning dominate the palate, while the mineral substrate and a hint of white spice come to the fore on the long finish. Probably a defective bottle but still engaging and delicious. (Buy again? Yes, to see if ours was off or to re-experience it if it wasn’t.)
MWG October 27, 2016, tasting: flight 1 of 7
Greek winery tour: Papagiannakos (Attica)
[Hover over pics to display captions and credits; click to embiggen.]
Located a 20-minute drive southeast of Athens International Airport, the Papagiannakos Winery sits on the northwestern edge of Porto Rafti in Markopoulo. Shoebox-shaped with a sloping roof and prominent girders that, in profile, look like a giant Π (pi, the first letter of the family name), the current structure was built in the mid-2000s. It is, in a word, gorgeous: clean and modern in design, integrated into the surroundings, eco-friendly and featuring extensive use of local materials, in particular stones. The equipment is state of the art, the compact barrel cellar houses Allier and Nevers oak casks. A glass wall under a large overhang faces south providing ample daylight while, on the north side, a row of clerestory windows runs above the tall stone wall ensuring good airflow and an escape route for warm air. At the far (west) end of the building are found, on the lower level, a large tasting room and, on the upper level, a beautiful, high-ceilinged event space with a sweeping view over the valley to the ridge separating the region from Athens, with the airport’s control tower just visible over the intervening hills. Carefully chosen artwork adorns the walls. In short, it’s a feel good place.
The Papagiannakos family has been growing grapes and making wine in Markopoulo since 1919. In the 1960s, the second generation upgraded the winery and improved the quality of its output. The current, third-generation owner-winemaker, Vassilis, took over in 1992, and almost immediately began the process of bringing the winery into the 21st century.
It may be a conceit but I’ve often found winemakers to resemble the wines they make. In any case, it’s true for Vassilis: classy yet down-to-earth, generous yet reserved, rooted in the past yet forward-looking, attached to a place yet also aware of the world. Speaking about his wines, he rightly said “they don’t shout,” but he could equally have been talking about himself (or his winery’s handsome labels, for that matter).
Papagiannakos has several vineyards, some around the winery and others – including ones under contract – scattered throughout the environs. Though the soil varies from parcel to parcel, it is generally rocky and infertile over a limestone base. The area receives no rain to speak of from May or June through October, so the vines are grown in low bushes; rot isn’t a problem here, in contrast to, say, the Peleponnese, where grape vines are usually trained on wires. The dry, breezy conditions also mean there is no need for insecticides or fungicides. On the other hand, irrigation (drip to conserve water) is a necessity, especially for young vines.
The winery has specialized in Savatiano since its founding. Actually, it was the only grape variety grown at the estate until Vassilis took the helm. He soon began playing with the newly resuscitated Malagousia variety and then red grapes. He also has several experimental plots, one of them Greco di Tufo, the first real vintage of which will be the 2016. “Italian grapes,” I exclaimed, unable to hide the surprise in my voice. With a shrug of the shoulders and a wry smile came the reply: “Well, as the name implies, it’s probably Greek.”
After a tour of the building, we gathered in the event room for a technical tasting with Vassilis and members of his family, including his children, affable, knowledgeable and articulate young adults who will eventually take the reins from their father. You’ll find my tasting notes after the jump.
For details about where we stayed, where and what we ate and what we saw, including some of Papagiannakos’s vineyards, see the Day One report on carswelliana.
INTRODUCTION
♦ PAPAGIANNAKOS (ATTICA)
TSELEPOS (ARCADIA)
MERCOURI (ELIS)
TETRAMYTHOS (ACHAEA)
THYMIOPOULOS (MACEDONIA)
ARGYROS (SANTORINI)
Tre vermut eccezionali
It has been great to see artisanal vermouths becoming available in Quebec in recent years, first through the private import channel and now, with the arrival of this Piedmontese paragon (among others), at the SAQ.
The mash-up known as vermouth (vermut in the Turin dialect) has been a thing since at least the 18th century. Originally considered medicinal, the concoction quickly became popular as a digestion-promoting aperitif. During the reign (1831 to 1849) of Carlo Alberto, King of Sardinia and Duke of Savoy, the royal chef developed a vermouth specially for the famously dyspeptic ruler. After the latter’s demise, the recipe made its way into the hands of a Turin shopkeeper, Tumalin Baracco Bartolomé de Baracho, who named the product after the deceased monarch. Production has continued to this day.
The company explains the production process as follows:
Starting from the base wine, which must be an excellent one. As per the 1837 recipe, we use the DOGC Asti Muscat and the DOGC Caluso Erbaluce, the latter produced in a very limited quantity, almost impossible to find. To this superb base, we add 43 botanical elements: herbs, berries, spices, flowers and fruits selected and infused in 45° alcohol for 40 days. Afterward, we lightly filter the steeping and decant it in Piedmont barrels for approximately 3 to 6 months, regularly testing for the perfect ripening of the matrix before bottling. This Vermut can be tasted similarly to Carlo Alberto’s way who sipped it straight as an aperitif, 10 minutes before meals. Otherwise, it expresses its best characters in cocktails.
At the tasting, the wines were first sampled on their own. Then ice cubes, club soda, tonic water and sliced lemon, lime and orange were set out so the tasters could experiment with various combinations.
Vermut di Torino, Extra-dry, Riserva Carlo Alberto ($32.00, private import, 6 bottles/case)
Flavoured with 21 herbs and spices, including yarrow, ginger, tarragon, coriander seed, gentian and nutmeg. Filtered only once. Plastic stopper cap. Reducing sugar: 60 g/l. 18% ABV. Quebec agent: oenopole.
Disconcertingly ashy/smoky along with fresh birch leaf and clove aromas. A couple of days later, the ash was fainter and earthier, leaving more room for a complex bouquet with nuances of green herbs (think tarragon) and bergamot. Unctuous and, residual sugar notwithstanding, coming across as dry. Ash dominates the palate though not to the point of obliterating other flavours. In fact, this seems the deepest of the trio. Lemon pith joins the herb-spice complex on the long, bitter-edged finish. Less appealing on its own than its siblings though lovely in a Cirka gin martini. The Quebec agent says this is normally devoid of ashy aromas and flavours, so ours may have been a slightly off bottle. Still, as one of tasters later wrote “the extra-dry was intriguing to say the least and I was bouncing between ‘wow that’s great’ and ‘wow, that really tastes like ashtray.'” (Buy again? Yes, for investigative purposes and martini-making, if nothing else.)
Vermut di Torino, Bianco, Riserva Carlo Alberto ($32.00, 12928594)
Erbaluce (90%) and Moscato (10%) flavoured with 25 herbs and spices, including wild rose, mandarin, bitter orange, clove, cherry, absinthe and coriander seed. Plastic stopper cap. Reducing sugar: 140 g/l. 18% ABV. Reducing sugar: 140 g/l. Quebec agent: oenopole.
Effusive nose dominated by scents of fennel seed, sap, sweet white spice and honey. Intensely flavoured but delicious and not at all saccharine. Stealth acidity enlivens without disturbing the smooth surface, letting you focus on the kaleidoscopic flavours. A bitter current runs throughout and comes to the fore on the long, spice-laden finish. A little overpowering straight up but a knockout with lemon and tonic. (Buy again? Done!)
Vermut di Torino, Rosso, Riserva Carlo Alberto ($32.00, 12928720)
Erbaluce (90%) and Moscato (10%) flavoured with 27 herbs and spices, including marjoram, saffron, dandelion, rhubarb, nutmeg, vanilla, star anise, tonka bean and carnation. Plastic stopper cap. 18% ABV. Reducing sugar: 60 g/l. Quebec agent: oenopole.
The colour is more brown than red. Impossibly complex nose: gingerbread and molasses, canned mincemeat, cherry, chocolate, a whiff of fennel and more. Soft and semi-sweet in the mouth, the flavours echoing the nose with some old wood in the background. Vivid acidity and a faint tannic bite add interest while a hint of black pepper and that telltale bitterness appear on the long, long finish. In contrast to something like Cinzano, a bit too intense to sip on its own. Better with a splash of club soda (or more than a splash of ginger beer) and a slice of orange. Also makes a killer negroni if used in smaller amounts than most recipes call for. (Buy again? Done!)
MWG September 8, 2016, tasting: flight 6 of 6
Majorly Muscadet
Muscadet Sèvre et Maine 2012, Clisson, Famille Lieubeau ($24.95, 12923021)
100% Melon de Bourgogne from organically farmed vines averaging 30 years old and rooted in granite soil in various parcels in the Clisson commune. Manually harvested. Whole-cluster pressed. Fermentation with indigenous yeasts took place in temperature-controlled (20°C) tanks and lasted three weeks. Matured 24 months in tanks on its lees. Reducing sugar: 1.3 g/l. 12% ABV. Quebec agent: Société Clément.
“Shrimp shells” (per another taster), lemon, apple, limestone and, eventually, peat and “celery salt” notes. Rich and round, dry and tart, subdued but revealing layers of flavour. The pure fruit is dusted with minerals while the credible finish has a saline edge and a faint hint of honey or caramel. Very likeable. (Buy again? Yes.)
Muscadet Côtes de Grand Lieu 2014, Clos de la Butte, Domaine de l’Aujardière/Éric Chevalier ($19.05, 12886831)
100% Melon de Bourgogne from 50-year-old vines planted in serpentinite, eclogite and quartz in the La Butte lieu-dit. The grapes are pneumatically pressed and the must transffered into glass-lined tanks. Fermented with indigenous yeasts. Matured eight to 10 months on the lees with regular stirring. Unracked and unfiltered. Reducing sugar: 1.3 g/l. 11.5% ABV. Quebec agent: oenopole.
Similar nose to the Clisson’s but deeper, the shells more oyster-like and showing a distinct white pepper note. Even smoother and rounder on the palate though equally layered and minerally. Crisp acidity keeps things fresh and lively. Hints of butter and caramel colour the long finish. The most middle-of-the-road of the trio, not that there’s anything wrong with that. Great QPR. (Buy again? Yes.)
Muscadet Sèvre et Maine 2014, Le Breil, Complémen’Terre ($30.25, private import, 12 bottles/case, NLA)
Founded in 2013 in Le Pallet, the winery is owned and operated by Marion Pescheux and Manuel Landron, son of legendary Muscadet producer Jo Landron. The couple works according to the lunar calendar. 100% Melon de Bourgogne from organically farmed vines rooted in orthogneiss and quartz. Manually harvested. After pressing, the juice is clarified by settling and fermented with indigenous yeasts. Matured on the fine lines for eight months. Nothing added except, when deemed necessary, a shot of sulphur (35 mg/l maximum). 12% ABV. Quebec agent: oenopole.
Lemon and minerals with hints of butter and eventually pale berries. In the mouth, it’s less rich and more rainwatery than its flightmates. On an equal footing with fired minerals, the subdued fruit is buoyed by soft acidity.. A thread of bitterness spools into the saline finish. Long and elegant if a bit inscrutable. Would love to revisit in a couple of years. (Buy again? If feeling flush, yes.)
MWG September 8, 2016, tasting: flight 2 of 6
Best yet
Muscadet-Sèvre et Maine 2014, Granite, Domaine de l’Écu ($23.55, 10282873)
100% Melon de Bourgogne from organically and biodynamically farmed vines 45 to 55 years old growing in stony topsoil and mica granite subsoil. Manually harvested. The winery is gravity fed, so no pumping occurs. Pneumatically pressed. The unclarified must is fermented with indigenous yeasts. Sulphuring is limited to 25 mg added between alcoholic and malolactic fermentation. Matured on the lees in underground concrete tanks for 15 to 18 months. Reducing sugar: 1.4 g/l. 12% ABV. Quebec agent: Raisonnance.
Outgoing nose for a young Écu: lemon fruit and pith, chamomile, minerals, faintest hints of wax, honey and almond essence. In the mouth, it’s fruitier than usual: silky, complex and wonderfully pure, acid bright and bone dry, with real mineral depth and overtones of peach and fresh herbs. The long, long flinty, iodiney finish leaves a white peppery afterbite. This will only improve with a few years in the cellar but, in contrast to most vintages, is beguiling young. Perfect, of course, with raw oysters and moules marinières but has the wherewithal to accompany fine fish and, even, sushi and stinky cheeses. Or see what the winemaker has to say about possible pairings. (Buy again? Imperatively.)
Mönch on this!
Mosel 2015, Ürzig Würzgarten Riesling Kabinett, Mönchhof ($25.90, 11034804)
100% Riesling from ungrafted, dry-farmed vines between 60 and 100 years old in the original part of the Würzgarten vineyard (red slate) in the municipality of Ürzig. Manually harvested. Fermentation with selected yeasts in stainless steel and neutral German oak vats lasts four weeks. Matured four to six months in stainless steel tanks and neutral German oak barrels. Filtered before bottling. Screwcapped. Reducing sugar: > 60 g/l. 8.5% ABV. Quebec agent: Valmonti.
Green apple, lime/grapefruit, mown meadow, slate, lemon yogurt, hints of yellow stone fruit. Sweet on the attack, then the acidity kicks in. Chockablock with pure, ripe fruit. Endowed with a mineral backbone. Shows fair depth and some spice at the back of the palate. Finish is subdued but quite long. Well balanced despite the hot vintage. Ageable at least a decade, maybe two, during which time it will deepen, gain complexity and lose sweetness. For now, while almost too sweet to drink as an aperitif, it comes into its own alongside food, in my case a fairly faithful replica of Nigel Slater’s apples, potatoes and bacon recipe finished with crème fraîche, mustard and tarragon, a dish I’ll be making – and pairing with German Riesling – again. (Buy again? Yes.)
Bargain Jurançon
Jurançon Sec 2014, Domaine Laguilhon ($16.95, 13028651)
The estate is reportedly owned by viticulturalist Henri Estreboou Suberbie but, though the wine isn’t listed on its website, the producer is the Cave de Gan, a cooperative which M. Estreboou Suberie appears to chair. In any case, this is a 50-50 blend of Gros Manseng and Petit Manseng from sustainably farmed vines in Monein. Manually harvested. Fermented in temperature-controlled stainless steel tanks. Matured on its lees for six months. Stoppered with a cork (not syncork as SAQ.com has it). Reducing sugar: 3.2 g/l. 12.5% ABV. Quebec agent: Les vins Dupré.
Subtle nose of yellow apple and pear, frangipane, faint chalk and honey. Medium-bodied and round, with a satiny verging on waxy texture. Well chilled, grapefruit seems the dominant fruit; warmer, pear with almond overtones comes to the fore. Dry, especially on the finish, though there’s also a thread of sweetness that’s countered by the streaming acidity, crystalline minerals and lingering touch of pith-like bitterness. Fairly long. Not exactly deep but surprisingly nuanced, complex and pure for a $17 wine. Excellent as an aperitif. Not bad with roasted cod loin under a fines herbes, lemon zest and panko crust. I can also see it working with pan-seared scallops in a delicate sauce. (Buy again? Yes.)
All pastels
Gaillac 2015, Les Greilles, Causse Marines ($23.85, 860387)
A blend of Len de l’El (60%), Mauzac (20%), Ondenc (15%) and Muscadelle (5%) from organically and biodynamically farmed vines averaging 45 years old. Manually harvested. Gently pressed. Fermented with indigenous yeasts in temperature-controlled tanks. Occasionally filtered and/or fined on an as-needed basis. Minimum added sulphur. Reducing sugar: 4.8 g/l. 14% ABV. Quebec agent: Rézin.
Wafting nose: apple-pear sauce, chamomile, limestone, a whiff of alcohol. Round, not bone dry yet not at all heavy – due in no small part to the surprising current of acidity – with a texture between waxy and satiny. The soft, ripe-sweet fruit slow-fades leaving a mid-palate more felt than tasted and a finish with intertwining threads of bitterness, chalk and herbs and spice that, however faintly, bring a high-class white vermouth to mind. The alcohol is detectable but ghostly. A wine with no sharp edges: all pastels and just lovely. (Buy again? Yes.)
Sweet Greek
Attiki 2013, Melias, Domaine Papagiannakos
The third vintage of this wine. 100% Malagousia from dry-farmed vines rooted in limestone soil. The north-facing vineyard is located at an elevation of 100 metres in southeast Attica, not far from the Athens International Airport. An amount of must equivalent to 40% of the final wine is boiled down to concentrate it and the sugar it contains. Successive doses of fermenting unboiled must are then added. 13% ABV. Residual sugar is quoted as pushing 120 g/l. The elegant, svelte bottle holds 500 ml.
Golden to the eye. Beguiling nose redolent of green grape, peach/apricot and a touch of light honey. Sweet but not saccharine or cloying. The pineappley fruit tastes pure, fresh, uncooked. Bright acidity balances the sugar and lightens the unctuous texture. Long. A charmer with real presence. (Buy again? If only!)
I’m cheating a little here. It had been a long day and, as the wine tasted identical to the one tasted at the winery in early July, I decided just to sit back and enjoy it and not write a tasting note. Instead, I’m using the note I wrote in Greece, which will soon reappear on this blog as part of a series of reports on the trip. Our bottle was a gift from Vassilis Papagiannakos, and I wasn’t the only person around the table grateful to him for it.
MWG August 12th tasting: flight 8 of 8
A blessing
While waiting for some technical information on the next wines in the August 12th tasting to land in my inbox, a note on a recent arrival at the SAQ.
Terre Siciliane 2015, Lucido, Marco de Bartoli ($20.00, 12640603)
100% Catarratto Lucido from organically farmed 13-year-old vines. Manually harvested. Gently pressed. Fermented with indigenous yeasts in temperature-controlled stainless steel tanks. Matured on the lees for seven months, also in stainless steel tanks. Reducing sugar: 1.3 g/l. 12% ABV. 20,000 bottles made. Quebec agent: oneopole.
Served too cold, the wine seems shy, even nondescript. But as it warms, the nose blossoms: lemon and a little peach, straw, fired quartz. The flavours echo the nose, the delicate fruit and waxy texture making way for a mineral mid-palate. Soft acidity glows as if from within. The wine’s bone-dryness is apparent only on the finish. Faint notes of dried herbs, pineapple water, white flowers, caramel and citrus pith linger long. As its name suggests, luminous and translucent, sane and coherent. That such quiet beauty can be had for $20 is a blessing. A fine accompaniment to grilled shrimp and squid with olive oil, lemon and parsley; the next bottle is earmarked for Hazan’s mussel and romano bean soup. (Buy again? Naturally.)
Brett happens 
